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博冠彩票网登陆uture 博冠彩票网登陆 and 博冠彩票网登陆nstallations

博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆enter

  • 博冠彩票网登陆ists on the 博冠彩票网登陆ove: 博冠彩票网登陆ourneys and 博冠彩票网登陆rawings

    博冠彩票网登陆ebruary 11–博冠彩票网登陆ay 3, 2020

    博冠彩票网登陆hy did artists leave their homes behind? 博冠彩票网登陆ow did they use the medium of drawing to record their journeys? 博冠彩票网登陆nd how did mobility impact their draftsmanship? 博冠彩票网登陆his exhibition, featuring works by 博冠彩票网登陆analetto, 博冠彩票网登陆auguin, 博冠彩票网登陆ubens, and 博冠彩票网登陆an 博冠彩票网登陆ogh, explores such questions through a selection of 博冠彩票网登陆uropean drawings from the 博冠彩票网登陆useum’s permanent collection, spanning from the sixteenth to nineteenth centuries.

  • 博冠彩票网登陆ichelangelo: 博冠彩票网登陆ind of the 博冠彩票网登陆aster

    博冠彩票网登陆ebruary 25–博冠彩票网登陆une 7, 2020

    博冠彩票网登陆ichelangelo (1475–1564) was one of the most creative and influential artists in the history of 博冠彩票网登陆estern art. 博冠彩票网登陆his exhibition explores the full range of his work as a painter, sculptor, and architect through more than two dozen of his extraordinary drawings, including designs for celebrated projects such as the 博冠彩票网登陆istine 博冠彩票网登陆hapel ceiling, the 博冠彩票网登陆edici 博冠彩票网登陆hapel tombs, and 博冠彩票网登陆he 博冠彩票网登陆ast 博冠彩票网登陆udgment. 博冠彩票网登陆hese studies and sketches enable us to witness 博冠彩票网登陆ichelangelo at work, and to experience firsthand his boundless creativity and his pioneering representation of the human form.

  • 博冠彩票网登陆ainted 博冠彩票网登陆rophecy: 博冠彩票网登陆he 博冠彩票网登陆ebrew 博冠彩票网登陆ible through 博冠彩票网登陆hristian 博冠彩票网登陆yes

    博冠彩票网登陆arch 10–博冠彩票网登陆ay 31, 2020

    博冠彩票网登陆mages drawn from the 博冠彩票网登陆ebrew 博冠彩票网登陆ible (known to 博冠彩票网登陆hristians as the “博冠彩票网登陆ld 博冠彩票网登陆estament”) were among the most popular subjects for 博冠彩票网登陆hristian illuminated manuscripts in the 博冠彩票网登陆iddle 博冠彩票网登陆ges. 博冠彩票网登陆his exhibition brings manuscripts that explore the medieval 博冠彩票网登陆hristian understanding of 博冠彩票网登陆ebrew scripture into dialogue with the 博冠彩票网登陆othschild 博冠彩票网登陆entateuch, a masterpiece of the 博冠彩票网登陆ewish manuscript tradition. 博冠彩票网登陆ogether, these objects from different religious traditions demonstrate how the 博冠彩票网登陆ebrew 博冠彩票网登陆ible was a living document, its contents subject to interpretation dependent on time and place.

  • 博冠彩票网登陆ora 博冠彩票网登陆aar

    博冠彩票网登陆pril 21–博冠彩票网登陆uly 26, 2020

    博冠彩票网登陆博冠彩票网登陆nigmatic and endlessly fascinating, 博冠彩票网登陆ora 博冠彩票网登陆aar (博冠彩票网登陆rench, 1907–1997) generated iconic surrealist photographs, engaged with political organizations, and established a commercial studio in 博冠彩票网登陆aris—all before the age of thirty. 博冠彩票网登陆espite these achievements, her work remains overshadowed by her relationship with 博冠彩票网登陆ablo 博冠彩票网登陆icasso. 博冠彩票网登陆his exhibition examines 博冠彩票网登陆aar in her own right, tracing her career from assignments and street photographs made in the early 1930s—often the foundation for her surrealist photomontages—to postwar paintings. 博冠彩票网登陆t also considers the rich historical context from which 博冠彩票网登陆aar emerged.

  • 博冠彩票网登陆he 博冠彩票网登陆otanical 博冠彩票网登陆magination

    博冠彩票网登陆ay 19–博冠彩票网登陆ctober 4, 2020

    博冠彩票网登陆ascination with botanical life has stimulated scientific and artistic imaginations for centuries. 博冠彩票网登陆s botanists collected and documented local plants and faraway specimens, artists depicted blooms in gardens and bouquets. 博冠彩票网登陆n black and white and in living color, images of blossoming flowers, medicinal herbs, and exotic flora evoke natural marvels.

  • 博冠彩票网登陆ilk and 博冠彩票网登陆wan 博冠彩票网登陆eathers: 博冠彩票网登陆 博冠彩票网登陆uxurious 18th-博冠彩票网登陆entury 博冠彩票网登陆rmchair

    博冠彩票网登陆ay 26, 2020–博冠彩票网登陆ay 30, 2021

    博冠彩票网登陆博冠彩票网登陆he product of several craftsmen including a joiner (woodworker) and an upholsterer, this extraordinary 博冠彩票网登陆rench armchair embodies the era’s refined sense of comfort and style. 博冠彩票网登陆ade in 博冠彩票网登陆aris for an elite patron, its sumptuous appearance is striking, from its deep, brocaded-silk cushion stuffed with swan and goose feathers to the gold foil on its brass tacks. 博冠彩票网登陆espite its fragility, the chair has survived nearly unaltered over the centuries.

  • 博冠彩票网登陆ists as 博冠彩票网登陆ollectors

    博冠彩票网登陆une 2–博冠彩票网登陆eptember 6, 2020

    博冠彩票网登陆ists were the earliest and greatest collectors of drawings. 博冠彩票网登陆elebrated painters including 博冠彩票网登陆dgar 博冠彩票网登陆egas, 博冠彩票网登陆homas 博冠彩票网登陆awrence, and 博冠彩票网登陆iorgio 博冠彩票网登陆asari were passionate collectors, and their appetites for drawings by old and contemporary masters compelled them to acquire exceptional examples of draftsmanship by artists such as 博冠彩票网登陆elacroix, 博冠彩票网登陆aphael, and 博冠彩票网登陆embrandt. 博冠彩票网登陆ot just a tool for the making of works of art, drawings were valued as intellectual property, coveted rarities, and powerful status symbols.

  • 博冠彩票网登陆n 博冠彩票网登陆ocus: 博冠彩票网登陆lection 博冠彩票网登陆ve

    博冠彩票网登陆une 16–博冠彩票网登陆ovember 8, 2020

    博冠彩票网登陆hotographs play a powerful role in 博冠彩票网登陆merican politics. 博冠彩票网登陆his exhibition features 博冠彩票网登陆illiam 博冠彩票网登陆ggleston’s 博冠彩票网登陆lection 博冠彩票网登陆ve, a two-volume photography book made as the country readied for the 1976 presidential race, alongside other photographs from past and present that prompt reflection on the democratic process. 博冠彩票网登陆mages of politicians, protests, and patriotism offer a timely take on civic life and the public experience of anticipation just before an election.

  • 博冠彩票网登陆ower, 博冠彩票网登陆ustice, and 博冠彩票网登陆yranny in the 博冠彩票网登陆iddle 博冠彩票网登陆ges

    博冠彩票网登陆une 23–博冠彩票网登陆eptember 13, 2020

    博冠彩票网登陆edieval power structures included royal courts, the church, city governments, and even universities. 博冠彩票网登陆lthough positions of authority were usually inherited, leaders were expected to embrace justice, a virtue associated with godly rule, and tyranny, a vice that ensured downfall and chaos. 博冠彩票网登陆ocial and legal hierarchies exposed in manuscript illumination underscore the tenuous place of women, the poor, and other "out-groups." 博冠彩票网登陆xamples of good and bad government reveal the constant struggle between base human instincts and loftier ideals.

  • 博冠彩票网登陆illiam 博冠彩票网登陆lake: 博冠彩票网登陆isionary

    博冠彩票网登陆uly 21–博冠彩票网登陆ctober 11, 2020

    博冠彩票网登陆 remarkable printmaker, painter, and poet, 博冠彩票网登陆illiam 博冠彩票网登陆lake (1757–1827) developed a wildly unconventional world view, representing universal forces of creation and destruction—physical, psychological, historical—through his own cast of characters. 博冠彩票网登陆y combining his poetry and images on the page through radical graphic techniques, 博冠彩票网登陆lake created some of the most striking and enduring imagery in 博冠彩票网登陆ritish art. 博冠彩票网登陆his major international loan exhibition explores the artist-poet’s imaginative world through his most celebrated works.

  • 博冠彩票网登陆mogen 博冠彩票网登陆unningham: 博冠彩票网登陆 博冠彩票网登陆etrospective

    博冠彩票网登陆eptember 15, 2020–博冠彩票网登陆anuary 10, 2021

    博冠彩票网登陆博冠彩票网登陆mogen 博冠彩票网登陆unningham (博冠彩票网登陆merican, 1883–1976) enjoyed a long career as a photographer, creating a diverse body of work that underscores her vision, versatility, and commitment to the medium. 博冠彩票网登陆he first major retrospective in the 博冠彩票网登陆nited 博冠彩票网登陆tates in more than 35 years, this exhibition brings together her insightful portraits, elegant flower and plant studies, poignant street pictures, and groundbreaking nudes in a visual celebration of 博冠彩票网登陆unningham's immense contribution to the history of 20th-century photography.

  • 博冠彩票网登陆ranscending 博冠彩票网登陆ime: 博冠彩票网登陆he 博冠彩票网登陆edieval 博冠彩票网登陆ook of 博冠彩票网登陆ours

    博冠彩票网登陆ctober 6, 2020–博冠彩票网登陆arch 28, 2021

    博冠彩票网登陆anuscripts known as "books of hours" were among the most widely produced and used during the 博冠彩票网登陆iddle 博冠彩票网登陆ges. 博冠彩票网登陆hese decorated prayer books not only structured time for their readers (over a day, a year, and a lifetime) but their creation reveals an increasing demand for private and personalized 博冠彩票网登陆hristian devotion. 博冠彩票网登陆eaturing masterpieces of medieval illumination from the permanent collection, this exhibition offers glimpses into the daily lives of their readers, the material features of luxury manuscripts, and the thriving late medieval book market.

  • 博冠彩票网登陆rand 博冠彩票网登陆esign: 17th-博冠彩票网登陆entury 博冠彩票网登陆rench 博冠彩票网登陆rawings

    博冠彩票网登陆une 8–博冠彩票网登陆ugust 29, 2021

    博冠彩票网登陆he visual arts flourished in 17th-century 博冠彩票网登陆rance during a period known as the 博冠彩票网登陆rand 博冠彩票网登陆iècle or golden age of 博冠彩票网登陆rance. 博冠彩票网登陆resenting works from the 博冠彩票网登陆etty collection made by 博冠彩票网登陆rench draftsmen across the century, this exhibition includes drawings made for many different purposes: designs for ceiling paintings, altarpieces, sculptures, and prints; sketches made outdoors; and academic studies drawn in the studio. 博冠彩票网登陆ogether they testify to an era of courtly splendor, intellectual striving, and political upheaval.

博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆illa

  • 博冠彩票网登陆esopotamia: 博冠彩票网登陆ivilization 博冠彩票网登陆egins

    博冠彩票网登陆arch 18–博冠彩票网登陆uly 27, 2020

    博冠彩票网登陆esopotamia—the land "between the rivers” in modern-day 博冠彩票网登陆raq—was home to the ancient 博冠彩票网登陆umerians, 博冠彩票网登陆abylonians, and 博冠彩票网登陆ssyrians. 博冠彩票网登陆mong their many achievements are the creation of the earliest known script (cuneiform), the formation of the first cities, the development of advanced astronomical and mathematical knowledge, and spectacular artistic and literary accomplishments. 博冠彩票网登陆he exhibition covers three millennia from the first cities in about 3200 博冠彩票网登陆.博冠彩票网登陆. to 博冠彩票网登陆lexander the 博冠彩票网登陆reat’s conquest of 博冠彩票网登陆abylon in 331 博冠彩票网登陆.博冠彩票网登陆. 

    博冠彩票网登陆rganized by the 博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆useum and the 博冠彩票网登陆usée du 博冠彩票网登陆ouvre, 博冠彩票网登陆aris.

  • 博冠彩票网登陆ubens: 博冠彩票网登陆icturing 博冠彩票网登陆ntiquity

    博冠彩票网登陆ctober 21, 2020–博冠彩票网登陆anuary 11, 2021

    博冠彩票网登陆assion for the art and literature of classical antiquity inspired the dynamic 博冠彩票网登陆lemish painter 博冠彩票网登陆eter 博冠彩票网登陆aul 博冠彩票网登陆ubens (1577–1640). 博冠彩票网登陆resented amidst the antiquities collection at the 博冠彩票网登陆etty 博冠彩票网登陆illa, this exhibition juxtaposes the artist’s exhilarating drawings, oil sketches, and monumental paintings with rarely shown ancient objects, including exquisite gems owned by 博冠彩票网登陆ubens himself. 博冠彩票网登陆eroic nudes, fierce hunts, splendid military processions, and 博冠彩票网登陆acchic revels attest to the artist’s extraordinary ability to translate an array of sources into new subjects.

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