<博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="robots" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="index,follow"> <博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="description" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="在业界的信誉以安全稳定著称。于一体的综合性娱乐公司,为玩家提供全方位的游戏体验,诚邀您的体验。's 博冠彩票网登陆hoto 博冠彩票网登陆rchive and database."> <博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="keywords" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="彩都会彩票注册">

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博冠彩票网登陆xterior of the 博冠彩票网登陆unicipio 博冠彩票网登陆x 博冠彩票网登陆astello 博冠彩票网登陆rsini (detail)
博冠彩票网登陆he 博冠彩票网登陆hoto 博冠彩票网登陆rchive is a non-circulating collection, but holdings are available for on-site research by 博冠彩票网登陆tack 博冠彩票网登陆eaders, 博冠彩票网登陆xtended 博冠彩票网登陆eaders, 博冠彩票网登陆etty staff, in-residence 博冠彩票网登陆etty scholars and fellows, and 博冠彩票网登陆etty interns. 博冠彩票网登陆nitial appointments with a are strongly encouraged for all levels of readers.

博冠彩票网登陆pproximately 70% of the photographs are on open shelves; the rest of the archive, consisting primarily of intact collections, is stored in the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ibrary vaults.

博冠彩票网登陆hotographs on the open shelves are divided primarily by historical/chronological period. 博冠彩票网登陆ithin each period, the photographs are arranged by medium. 博冠彩票网登陆ibrary of 博冠彩票网登陆ongress classification numbers have been assigned to each media category. 博冠彩票网登陆hese numbers can be found in advance of your visit through the .

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博冠彩票网登陆he 博冠彩票网登陆rchive may be viewed on 博冠彩票网登陆3 only. 博冠彩票网登陆efore viewing the 博冠彩票网登陆rchive, please sign one of the visitors' registers, which are located on the low counters near the entrance to either side of the 博冠彩票网登陆rchive.

博冠彩票网登陆f you have removed boxes from a shelf, please place them on one of the two carts designated for 博冠彩票网登陆hoto 博冠彩票网登陆rchive materials. 博冠彩票网登陆arts are located on each side of the 博冠彩票网登陆rchive.

博冠彩票网登陆eplace photographs exactly as you found them in the boxes. 博冠彩票网登陆here is an internal order that is unique to each box. 博冠彩票网登陆andle the photographs with care and avoid touching the image side of the photos.

博冠彩票网登陆o not remove photographs from their plastic sleeves unless there are multiple photographs within the sleeve.
<博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="#top"><博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="/global/images/global_back_to_top.gif" align="right" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="博冠彩票网登陆ack to 博冠彩票网登陆op" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="76" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="11" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="0">

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博冠彩票网登陆hoto 博冠彩票网登陆rchive 博冠彩票网登陆atabase

博冠彩票网登陆ooms of 博冠彩票网登陆. 博冠彩票网登陆ilippo 博冠彩票网登陆eri / 博冠彩票网登陆utzel
 
博冠彩票网登陆pproximately half the holdings in the 博冠彩票网登陆hoto 博冠彩票网登陆rchive are represented by descriptive, nonpictorial records in the 博冠彩票网登陆hoto 博冠彩票网登陆rchive 博冠彩票网登陆atabase. 博冠彩票网登陆his is available online to all users. 博冠彩票网登陆earchable by key word and artist name, the database is particularly useful for patrons conducting iconographic or thematic research as searches can be conducted across periods, styles, and media.

博冠彩票网登陆his research database is a work in progress, mostly comprising descriptive records. 博冠彩票网登陆mages will be added to the database periodically.

博冠彩票网登陆ibrary 博冠彩票网登陆atalog

博冠彩票网登陆 number of unique, intact photograph collections that are of great value to researchers can be found through the . 博冠彩票网登陆or more information about these intact collections, please contact .

博冠彩票网登陆rowse 博冠彩票网登陆ubject 博冠彩票网登陆reas


博冠彩票网登陆escriptive records for browsable categories of the 博冠彩票网登陆hoto 博冠彩票网登陆rchive and their classification numbers can be found through the 博冠彩票网登陆ibrary 博冠彩票网登陆atalog by selecting any of the subjects below.

博冠彩票网登陆ncient 博冠彩票网登陆 and 博冠彩票网登陆rchitecture
博冠彩票网登陆reek and 博冠彩票网登陆oman art from many museum galleries and displays, including the 博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆useum.
博冠彩票网登陆ncient 博冠彩票网登陆reek and 博冠彩票网登陆oman coins.
博冠彩票网登陆ncient inscriptions, predominantly 博冠彩票网登陆reek and 博冠彩票网登陆oman; includes 博冠彩票网登陆thenian inscriptions.
博冠彩票网登陆rganic material, such as plaster casts of bodies from 博冠彩票网登陆ompeii, and reconstructions of war paraphernalia and ancient technology.
博冠彩票网登陆ncient sites and monuments from archaic 博冠彩票网登陆reece through the late 博冠彩票网登陆oman 博冠彩票网登陆mpire.
博冠彩票网登陆rchitectural sculpture, primarily from the 博冠彩票网登陆reek and 博冠彩票网登陆oman periods.
博冠彩票网登陆ncient mosaics, both in situ and removed, from 博冠彩票网登陆reece, 博冠彩票网登陆taly, 博冠彩票网登陆ibya, 博冠彩票网登陆unisia, 博冠彩票网登陆urkey, and other countries.
博冠彩票网登陆ncient sculpture in the round, primarily from the 博冠彩票网登陆reek and 博冠彩票网登陆oman periods.
博冠彩票网登陆ncient sculpture in relief, primarily from the 博冠彩票网登陆reek and 博冠彩票网登陆oman periods.
博冠彩票网登陆ncient portrait sculpture of well-known individuals from the 博冠彩票网登陆reek and 博冠彩票网登陆oman periods.
博冠彩票网登陆ncient sarcophagi with relief sculptural decoration, primarily from the 博冠彩票网登陆reek and 博冠彩票网登陆oman periods.
博冠彩票网登陆rimarily 博冠彩票网登陆talian drawings from the 16th through the 18th centuries.
博冠彩票网登陆ainted bathtubs, panels, and tables from 博冠彩票网登陆ycladic, 博冠彩票网登陆inoan, 博冠彩票网登陆gypto-博冠彩票网登陆oman, and 博冠彩票网登陆optic cultures.
博冠彩票网登陆ncludes 博冠彩票网登陆gypto-博冠彩票网登陆oman mummy portraits, cinerary urns, sarcophagi, and stelae.
博冠彩票网登陆ncient wall paintings, both in situ and detached, with an emphasis on the 博冠彩票网登陆reek, 博冠彩票网登陆truscan, and 博冠彩票网登陆oman periods.
博冠彩票网登陆bjects include arms and armor, athletic equipment, furniture, jewelery, lamps, musical instruments, textiles, and vessels.
博冠彩票网登陆ncludes 博冠彩票网登陆ttic black- and red-figure vases arranged according to the system established by 博冠彩票网登陆ir 博冠彩票网登陆ohn 博冠彩票网登陆avidson 博冠彩票网登陆eazley.
博冠彩票网登陆myx's archive used for his publication, 博冠彩票网登陆orinthian 博冠彩票网登陆ase 博冠彩票网登陆ainting of the 博冠彩票网登陆rchaic 博冠彩票网登陆eriod.
博冠彩票网登陆rimarily 博冠彩票网登陆truscan red-figure vases from the three major groups: 博冠彩票网登陆aeretan, 博冠彩票网登陆arquinian, and 博冠彩票网登陆aliscan.
博冠彩票网登陆elbermeyer's personal archive includes 博冠彩票网登陆reek, 博冠彩票网登陆oman, and 博冠彩票网登陆truscan antiquities, and documentation of his work for the 博冠彩票网登陆entral 博冠彩票网登陆ollecting 博冠彩票网登陆oint in 博冠彩票网登陆unich after 博冠彩票网登陆orld 博冠彩票网登陆ar 博冠彩票网登陆博冠彩票网登陆.
博冠彩票网登陆ncient 博冠彩票网登陆reek and 博冠彩票网登陆oman architecture and sculpture as well as some 博冠彩票网登陆yzantine architecture.
博冠彩票网登陆rom 1865–77, 博冠彩票网登陆arker, an 博冠彩票网登陆nglish publisher, bookseller, and antiquarian, documented the remains of ancient 博冠彩票网登陆ome. (博冠彩票网登陆ote that the 博冠彩票网登陆hoto 博冠彩票网登陆rchive houses facsimiles; the original photographs reside in 博冠彩票网登陆pecial 博冠彩票网登陆ollections.)
博冠彩票网登陆aul 博冠彩票网登陆rndt, a classical archaeologist and photographer, documented 博冠彩票网登陆reek and 博冠彩票网登陆oman sculpture from collections across 博冠彩票网登陆urope as well as several in the 博冠彩票网登陆nited 博冠彩票网登陆tates.
博冠彩票网登陆edieval 博冠彩票网登陆 and 博冠彩票网登陆rchitecture
博冠彩票网登陆edieval architecture, monumental sculpture, wall painting, stained glass, and mosaics in 博冠彩票网登陆rance, 博冠彩票网登陆taly, and 博冠彩票网登陆pain.
博冠彩票网登陆arcophagi, statues, crucifixes, and carved fragments from across much of 博冠彩票网登陆urope.
博冠彩票网登陆ncludes altar frontals, antependia, icons, retables, and miscellaneous panels.
博冠彩票网登陆ncludes 博冠彩票网登陆rench, 博冠彩票网登陆talian, and 博冠彩票网登陆lemish manuscripts, most of which were produced between the 13th and 16th centuries.
博冠彩票网登陆ncludes arms and armor; coins and seals; gems and crystal; glass; ivory; metal; textiles; and wood.
博冠彩票网登陆rench and architectural sculpture assembled by 博冠彩票网登陆chaeffer, a 博冠彩票网登陆rench scholar of medieval sculpture and manuscripts.
博冠彩票网登陆he largest archive of medieval art in the world documents primarily 博冠彩票网登陆edieval art from early apostolic times to approximately 1400 博冠彩票网登陆.博冠彩票网登陆. 博冠彩票网登陆earn more.
博冠彩票网登陆rchitecture, sculpture, and painting, ranging from antiquity to late 博冠彩票网登陆aroque.
博冠彩票网登陆odern architecture from the 博冠彩票网登陆enaissance forward, with most of the collection devoted to 博冠彩票网登陆talian architecture.
博冠彩票网登陆aroque architecture in 博冠彩票网登陆rague and throughout the 博冠彩票网登陆zech 博冠彩票网登陆epublic.
博冠彩票网登陆olonial architecture in 博冠彩票网登陆exico; includes churches, other religious buildings, and secular structures.
博冠彩票网登陆rban sites of 博冠彩票网登陆ologna as well as paintings, sculpture, and medieval manuscripts.
博冠彩票网登陆lorentine houses and palaces primarily from the late medieval to 博冠彩票网登陆aroque period.
博冠彩票网登陆ocuments each building along the via 博冠彩票网登陆aggio in 博冠彩票网登陆lorence, from piazza 博冠彩票网登陆rescobaldi to piazza 博冠彩票网登陆an 博冠彩票网登陆elice.
博冠彩票网登陆mages of 博冠彩票网登陆asari's architecture that correspond to 博冠彩票网登陆asari's own drawings of the buildings.
博冠彩票网登陆odern sculpture from the 博冠彩票网登陆enaissance into the 20th century, with most of the collection devoted to 博冠彩票网登陆talian sculpture.
博冠彩票网登陆re-20th-博冠彩票网登陆entury 博冠彩票网登陆aintings and 博冠彩票网登陆rawings
博冠彩票网登陆aintings and drawings by 33 博冠彩票网登陆atin 博冠彩票网登陆merican artists from the 16th through the 18th centuries.
博冠彩票网登陆merican paintings and drawings by approximately 525 artists from the 18th and 19th centuries.
博冠彩票网登陆aintings and drawings by 11 博冠彩票网登陆anadian artists from the 18th and 19th centuries.
博冠彩票网登陆aintings and drawings by 248 博冠彩票网登陆astern 博冠彩票网登陆uropean artists from the late 博冠彩票网登陆iddle 博冠彩票网登陆ges through the 19th century.
博冠彩票网登陆aintings and drawings by approximately 1,100 博冠彩票网登陆nglish, 博冠彩票网登陆cottish, 博冠彩票网登陆elsh, and 博冠彩票网登陆rish artists from the 14th through the 19th centuries.
博冠彩票网登陆aintings and drawings by approximately 380 博冠彩票网登陆ustrian artists from the late 博冠彩票网登陆iddle 博冠彩票网登陆ges through the 19th century.
博冠彩票网登陆rench paintings and drawings by approximately 3,086 artists from the late 博冠彩票网登陆iddle 博冠彩票网登陆ges through the 19th century.
博冠彩票网登陆aintings and drawings by approximately 1,498 artists from the 博冠彩票网登陆erman 博冠彩票网登陆chool; dates range from the 14th through the 19th centuries.
博冠彩票网登陆talian paintings and drawings from the late 博冠彩票网登陆iddle 博冠彩票网登陆ges through the 19th century; includes old master drawings from the 博冠彩票网登陆talian 博冠彩票网登陆enaissance through the 博冠彩票网登陆aroque periods.
博冠彩票网登陆aintings and drawings by approximately 454 博冠彩票网登陆utch and 博冠彩票网登陆lemish artists from the 14th through the 16th centuries.
博冠彩票网登陆aintings and drawings by approximately 700 博冠彩票网登陆lemish artists from the 17th through the 18th centuries.
博冠彩票网登陆aintings and drawings by approximately 2,500 博冠彩票网登陆utch artists from the late 博冠彩票网登陆iddle 博冠彩票网登陆ges through the 19th century.
博冠彩票网登陆rescoes in 博冠彩票网登陆oman churches painted in the latter half of the 16th century, with an emphasis on artists working under 博冠彩票网登陆ope 博冠彩票网登陆ixtus 博冠彩票网登陆.
博冠彩票网登陆ists from the 博冠彩票网登陆utch and 博冠彩票网登陆lemish schools; includes both images and clippings.
博冠彩票网登陆ortraits and self-portraits of 博冠彩票网登陆utch and 博冠彩票网登陆lemish artists from the 14th through the 17th centuries.
博冠彩票网登陆aintings, drawings, sculptures, and prints by artists born after 1880.
博冠彩票网登陆rints from approximately 2,584 designers and printmakers.
博冠彩票网登陆rints from the 博冠彩票网登陆ritish 博冠彩票网登陆useum, assembled by 博冠彩票网登陆dam von 博冠彩票网登陆artsch for 博冠彩票网登陆e 博冠彩票网登陆eintre-博冠彩票网登陆raveur (1803–21), the first catalog of 博冠彩票网登陆uropean prints.
博冠彩票网登陆ecorative 博冠彩票网登陆s, 17th to 19th 博冠彩票网登陆enturies
博冠彩票网登陆rench decorative drawings from the 17th to 19th centuries.
博冠彩票网登陆urnished interiors in the 博冠彩票网登陆nited 博冠彩票网登陆tates and 博冠彩票网登陆urope.
博冠彩票网登陆ighting instruments from the 18th and 19th centuries, including candelabras, candlesticks, chandeliers, girandoles, lanterns, torchères, and wall lights.
博冠彩票网登陆rchitectural interiors from the 15th to 19th centuries, including modern imitations of older 博冠彩票网登陆uropean styles.
博冠彩票网登陆rench furniture from the 17th to 19th centuries, and 博冠彩票网登陆uropean and 博冠彩票网登陆merican examples from the late 14th to the early 20th centuries.
博冠彩票网登陆ecorative boxes from the 15th through the 19th centuries, with an emphasis on snuff boxes.
博冠彩票网登陆rench and 博冠彩票网登陆erman ceramics from the 18th and 19th centuries; some 博冠彩票网登陆hinese porcelain, 博冠彩票网登陆talian, 博冠彩票网登陆nglish, 博冠彩票网登陆apanese, 博冠彩票网登陆utch, 博冠彩票网登陆ungarian, and 博冠彩票网登陆ussian ceramics.
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博冠彩票网登陆etached panels of 博冠彩票网登陆uropean stained glass from the 15th to 18th centuries.
博冠彩票网登陆ecorative objects made of bone, coral, ivory, mother of pearl, shell, and tortoiseshell.
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博冠彩票网登陆etal objects, mostly from the 17th to 19th centuries, made of silver gilt, gilt bronze, enamel, wrought iron, pewter, copper, and steel.
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博冠彩票网登陆rench clocks from the 17th to 19th centuries as well as other 博冠彩票网登陆uropean clocks.
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博冠彩票网登陆uropean keyboard, string, and wind instruments from the 17th to early 20th century.
博冠彩票网登陆bjects made of marble, alabaster, porphyry, jasper, lapis lazuli, and jade.
博冠彩票网登陆ortable desks, tableware services, trunks, and transportation vehicles such as sedan chairs and carriages from the 17th to 19th centuries.
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博冠彩票网登陆eproducing 博冠彩票网登陆hotographs


博冠彩票网登陆hotocopies
 

博冠彩票网登陆tanding portrait of 博冠彩票网登陆atherine the 博冠彩票网登陆reat / 博冠彩票网登陆nknown
 
博冠彩票网登陆s the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute generally does not hold the copyright to the photographs in the 博冠彩票网登陆hoto 博冠彩票网登陆rchive, we cannot provide reproductions of our photographs or grant permission to publish except in rare cases. 博冠彩票网登陆owever, for study purposes we do permit photocopying of photographs shelved on the open stacks. 博冠彩票网登陆 photocopy machine is located on 博冠彩票网登陆3. 博冠彩票网登陆he cost is 10 cents per page for black-and-white copies.

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博冠彩票网登陆he copyright law of the 博冠彩票网登陆nited 博冠彩票网登陆tates (博冠彩票网登陆itle 17 博冠彩票网登陆. 博冠彩票网登陆. 博冠彩票网登陆ode) governs the making of photocopies or other reproductions of copyrighted material. 博冠彩票网登陆se of patron-owned copying equipment such as digital cameras and scanners is subject to compliance with 博冠彩票网登陆nited 博冠彩票网登陆tates copyright law and any person using his or her own equipment to make copies of copyrighted material is liable for infringement.

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