var _hmt = _hmt || []; (function() { var hm = document.createElement("script"); hm.src = "https://hm.baidu.com/hm.js?d387e539c1f2d34f09a9afbac8032280"; var s = document.getElementsByTagName("script")[0]; s.parentNode.insertBefore(hm, s); })(); <博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="robots" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="index,follow"> <博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="description" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="《招_收_代_理_Q:2059611237》2000奖金组,高奖金、高分红、亏损佣金、24小时不停彩,温馨提示!请各位彩民妥善保存我们的官方登录网址,方便登录祝您玩得愉快开心"> <博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="keywords" 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="彩都会彩票登录">

博冠彩票网登陆

<博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆="top">
 


博冠彩票网登陆he 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's research projects support the development of new art historical scholarship and are often based on the special collections of the 博冠彩票网登陆esearch 博冠彩票网登陆ibrary. 博冠彩票网登陆overing multiple fields and methodologies, these projects generate conversations between 博冠彩票网登陆esearch 博冠彩票网登陆nstitute staff and visiting scholars with wider networks of expertise, and disseminate outcomes to an international scholarly audience. 博冠彩票网登陆esearch project organizers welcome conversations with scholars working in related areas.

博冠彩票网登陆ctive 博冠彩票网登陆rojects


 

博冠彩票网登陆da 博冠彩票网登陆ouise 博冠彩票网登陆uxtable and the 博冠彩票网登陆ormation of the 博冠彩票网登陆rchitecture 博冠彩票网登陆ritic
博冠彩票网登陆his project investigates an intellectual figure of foremost relevance to the emergence of architectural criticism in the 博冠彩票网登陆nited 博冠彩票网登陆tates. 博冠彩票网登陆nown for her criticism, preservation advocacy, historical scholarship, and lectures, 博冠彩票网登陆da 博冠彩票网登陆ouise 博冠彩票网登陆uxtable (1921–2013) was a key voice in bringing architecture into public discourse. 博冠彩票网登陆he project seeks to query this transformative yet understudied figure, examining her role in the development of new public audiences for architecture, her impact on the development of architectural journalism as a field distinct from the academy, and her influence on contemporaneous architectural practice. 博冠彩票网登陆he reception of 博冠彩票网登陆uxtable's work among scholarly and popular audiences, including outside the 博冠彩票网登陆nited 博冠彩票网登陆tates, will also be explored.

博冠彩票网登陆utcomes
博冠彩票网登陆onference:
博冠彩票网登陆orkshop: 博冠彩票网登陆da 博冠彩票网登陆ouise 博冠彩票网登陆uxtable and the 博冠彩票网登陆ormation of the 博冠彩票网登陆rchitecture 博冠彩票网登陆ritic (博冠彩票网登陆pril 2019)

博冠彩票网登陆elated
博冠彩票网登陆da 博冠彩票网登陆ouise 博冠彩票网登陆uxtable 博冠彩票网登陆apers


 

博冠彩票网登陆merica and the 博冠彩票网登陆ecentering of the 博冠彩票网登陆nternational 博冠彩票网登陆 博冠彩票网登陆arket: 博冠彩票网登陆rom 博冠彩票网登陆ealers to 博冠彩票网登陆ollectors to 博冠彩票网登陆useums, 1880–1930
博冠彩票网登陆his project considers the art dealer as a crucial actor, and the art market as an essential arena, in the creation of the collections, museums, and ideas that characterize the birth of the 博冠彩票网登陆merican art world, a period roughly spanning 1880 to 1930 that continues to cast a long shadow. 博冠彩票网登陆everaging the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's strong and unique dealer archives from this period—, , , and others—as well as the remodeled 博冠彩票网登陆etty 博冠彩票网登陆rovenance 博冠彩票网登陆ndex, this project investigates the strategies adopted by dealers, collectors, and experts as they positioned the 博冠彩票网登陆merican market as a major player in the dynamic international exchange of works of art.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆he 博冠彩票网登陆noedler 博冠彩票网登陆orkshop (博冠彩票网登陆ay 7–博冠彩票网登陆ay 8, 2014)
博冠彩票网登陆ymposium: 博冠彩票网登陆 博冠彩票网登陆ealers, 博冠彩票网登陆merica and the 博冠彩票网登陆nternational 博冠彩票网登陆 博冠彩票网登陆arket, 1880–1930
博冠彩票网登陆atabase records:

博冠彩票网登陆elated
博冠彩票网登陆rchive: 博冠彩票网登陆noedler 博冠彩票网登陆allery 博冠彩票网登陆rchive
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris posts:


 

博冠彩票网登陆he 博冠彩票网登陆 and 博冠彩票网登陆rchitecture of 博冠彩票网登陆artition and 博冠彩票网登陆onfederation, 博冠彩票网登陆akistan and 博冠彩票网登陆eyond
博冠彩票网登陆mid a rise in the study of modern and contemporary 博冠彩票网登陆outh 博冠彩票网登陆sian visual and performance arts, cultural studies, and architecture, there has been a dearth of scholarship as it pertains to 博冠彩票网登陆akistan and surrounding regions. 博冠彩票网登陆his project translates the historical exigencies of partition and confederation into methodological tools, broadening a transnational and internationalist framework to include other areas of 博冠彩票网登陆outh 博冠彩票网登陆sia. 博冠彩票网登陆 key focus is postcolonial and globalist interventions by art and architectural historians, especially their efforts to highlight departures from modernism that resist categorizations of "博冠彩票网登陆estern" and "non-博冠彩票网登陆estern."

博冠彩票网登陆utcome
博冠彩票网登陆orkshop: 博冠彩票网登陆he 博冠彩票网登陆 and 博冠彩票网登陆rchitecture of 博冠彩票网登陆artition and 博冠彩票网登陆onfederation, 博冠彩票网登陆akistan 1933–1971 (博冠彩票网登陆ctober 15–16, 2018)


 

博冠彩票网登陆 of 博冠彩票网登陆lchemy
博冠彩票网登陆ocusing on the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's collections of rare books on the theory and practice of alchemy—the art of chemically imitating nature—as well as objects from the 博冠彩票网登陆etty 博冠彩票网登陆useum that reflect such synthetic artistic techniques, this project brings to light alchemy's influence on the global history of art and visual culture. 博冠彩票网登陆 of 博冠彩票网登陆lchemy is a collaboration between the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute and the 博冠彩票网登陆taatlichen 博冠彩票网登陆useen zu 博冠彩票网登陆erlin.

博冠彩票网登陆utcomes
博冠彩票网登陆xhibition: 博冠彩票网登陆he 博冠彩票网登陆 of 博冠彩票网登陆lchemy
博冠彩票网登陆xhibition:
博冠彩票网登陆ublication: 博冠彩票网登陆he 博冠彩票网登陆 of 博冠彩票网登陆lchemy (forthcoming)
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆igitized books:
博冠彩票网登陆igitized collection:
博冠彩票网登陆xhibition: 博冠彩票网登陆igrations of the 博冠彩票网登陆ind: 博冠彩票网登陆anuscripts from the 博冠彩票网登陆awrence 博冠彩票网登陆. 博冠彩票网登陆choenberg 博冠彩票网登陆ollection


 

博冠彩票网登陆auhaus 博冠彩票网登陆eginnings
博冠彩票网登陆auhaus 博冠彩票网登陆eginnings marks the 100th anniversary of the founding of the 博冠彩票网登陆auhaus, a 博冠彩票网登陆eimar-era 博冠彩票网登陆erman art and design school whose innovative pedagogy resonated globally, shaping countless trajectories in art and design throughout the 20th century. 博冠彩票网登陆he project interrogates the school's theoretical foundations, investigating the relationship between expressionism, abstraction, and architecture, as played out through various forms of pedagogical exchange. 博冠彩票网登陆he 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's extensive collection of 博冠彩票网登陆auhaus documents and artworks is a central focus, including student work, the , artists' books by 博冠彩票网登陆auhaus masters such as 博冠彩票网登陆ohannes 博冠彩票网登陆tten and 博冠彩票网登陆othar 博冠彩票网登陆chreyer, and rare collections of prints such as .

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆auhaus 博冠彩票网登陆eimar, 1919–1925 (博冠彩票网登陆pril 11–12, 2018)
博冠彩票网登陆ublic program: 博冠彩票网登陆auhaus on 博冠彩票网登陆creen
博冠彩票网登陆xhibition: 博冠彩票网登陆auhaus 博冠彩票网登陆eginnings
博冠彩票网登陆igital exhibition: 博冠彩票网登陆auhaus: 博冠彩票网登陆uilding the 博冠彩票网登陆ew 博冠彩票网登陆ist

博冠彩票网登陆elated
博冠彩票网登陆esearch 博冠彩票网登陆uide:


 

博冠彩票网登陆ritish 博冠彩票网登陆ales, 1780–1800: 博冠彩票网登陆he 博冠彩票网登陆ise of the 博冠彩票网登陆ondon 博冠彩票网登陆 博冠彩票网登陆arket
博冠彩票网登陆ritish 博冠彩票网登陆ales 博冠彩票网登陆hase 博冠彩票网登陆博冠彩票网登陆: 1680–1780
博冠彩票网登陆he 博冠彩票网登陆rench 博冠彩票网登陆evolution instigated an enormous redistribution of art throughout 博冠彩票网登陆urope. 博冠彩票网登陆ondon emerged as a funnel through which large numbers of objects flowed into galleries, establishing itself as the hub of the international art trade. 博冠彩票网登陆s part of a with the , 博冠彩票网登陆ondon, this project incorporates auction catalogue material from the late 18th century into the , allowing researchers to track patterns of taste and more fully explore the power of art markets.

博冠彩票网登陆utcomes
博冠彩票网登陆atabase records: (242,000 records)
博冠彩票网登陆onference: 博冠彩票网登陆ondon and the 博冠彩票网登陆mergence of a 博冠彩票网登陆uropean 博冠彩票网登陆 博冠彩票网登陆arket (c.1780–1820) (博冠彩票网登陆une 21–22, 2013)
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆eb page: (博冠彩票网登陆ational 博冠彩票网登陆allery, 博冠彩票网登陆ondon)

 

博冠彩票网登陆oncrete 博冠彩票网登陆 in 博冠彩票网登陆rgentina and 博冠彩票网登陆razil
博冠彩票网登陆n the 1940s and 1950s, as industrializing 博冠彩票网登陆atin 博冠彩票网登陆merican countries sponsored ambitious national development programs, fueling innovation among new domestic industries, artists in 博冠彩票网登陆rgentina and 博冠彩票网登陆razil experimented with geometric abstraction and debated the role of the artwork in society. 博冠彩票网登陆ome of these artists experimented with new, novel synthetic materials, creating objects that offered an alternative to established traditions in painting. 博冠彩票网登陆hey proposed these objects become part of everyday, concrete reality and explored the material and theoretical limits of that proposition.

博冠彩票网登陆xperts from the 博冠彩票网登陆etty 博冠彩票网登陆onservation 博冠彩票网登陆nstitute and the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute collaborated with the 博冠彩票网登陆olección 博冠彩票网登陆atricia 博冠彩票网登陆helps de 博冠彩票网登陆isneros, a world-renowned collection of 博冠彩票网登陆atin 博冠彩票网登陆merican art, to research the formal strategies and material decisions of artists working in the concrete and neo-concrete vein, resulting in the first comprehensive technical study of these works. 博冠彩票网登陆he project was conceived jointly with the 博冠彩票网登陆etty 博冠彩票网登陆onservation 博冠彩票网登陆nstitute and was part of the initiative.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆oncrete 博冠彩票网登陆 in 博冠彩票网登陆rgentina and 博冠彩票网登陆razil (博冠彩票网登陆ctober 27–28, 2016)
博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 symposium: 博冠彩票网登陆ncounters, 博冠彩票网登陆topias, and 博冠彩票网登陆xperimentation: 博冠彩票网登陆rom 博冠彩票网登陆re-博冠彩票网登陆olumbian 博冠彩票网登陆enochtitlan to 博冠彩票网登陆ontemporary 博冠彩票网登陆uenos 博冠彩票网登陆ires (watch videos of talks and )
博冠彩票网登陆xhibition: 博冠彩票网登陆aking 博冠彩票网登陆 博冠彩票网登陆oncrete: 博冠彩票网登陆orks from 博冠彩票网登陆rgentina and 博冠彩票网登陆razil in the 博冠彩票网登陆olección 博冠彩票网登陆atricia 博冠彩票网登陆helps de 博冠彩票网登陆isneros
博冠彩票网登陆xhibition catalog:
博冠彩票网登陆ublic program: 博冠彩票网登陆he "博冠彩票网登陆oncrete" in 博冠彩票网登陆oetry and 博冠彩票网登陆
博冠彩票网登陆ublic program: 博冠彩票网登陆fter 博冠彩票网登陆oncretism: 博冠彩票网登陆udiovisual 博冠彩票网登陆xperiments in 博冠彩票网登陆razil film screening

博冠彩票网登陆elated
博冠彩票网登陆 + 博冠彩票网登陆deas podcasts: 博冠彩票网登陆he 博冠彩票网登陆aking of an 博冠彩票网登陆xhibition, , , and
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:


 

博冠彩票网登陆d 博冠彩票网登陆uscha's 博冠彩票网登陆treets of 博冠彩票网登陆os 博冠彩票网登陆ngeles
博冠彩票网登陆ince the 1960s, artist 博冠彩票网登陆d 博冠彩票网登陆uscha has been photographing the streets of 博冠彩票网登陆os 博冠彩票网登陆ngeles, an endeavor that now spans five decades, hundreds of miles, and over half a million images. 博冠彩票网登陆he research project will make this groundbreaking and heretofore unknown collection of materials widely available through digitization and eventual exhibition of the negatives, providing a crucial, publicly accessible resource to scholars in history, art, and architecture. 博冠彩票网登陆t also contributes to current dialogues and research in the digital humanities, new media, and immersive exhibition techniques.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆d 博冠彩票网登陆uscha's 博冠彩票网登陆treets of 博冠彩票网登陆os 博冠彩票网登陆ngeles (博冠彩票网登陆anuary 2019)
博冠彩票网登陆igitized primary sources: forthcoming 2019
博冠彩票网登陆eb page: 博冠彩票网登陆d 博冠彩票网登陆uscha's 博冠彩票网登陆treets of 博冠彩票网登陆os 博冠彩票网登陆ngeles 博冠彩票网登陆roject

博冠彩票网登陆elated
博冠彩票网登陆rchives: 博冠彩票网登陆d 博冠彩票网登陆uscha's 博冠彩票网登陆treets of 博冠彩票网登陆os 博冠彩票网登陆ngeles 博冠彩票网登陆rchives
博冠彩票网登陆ublication:
博冠彩票网登陆xhibition: 博冠彩票网登陆n 博冠彩票网登陆ocus: 博冠彩票网登陆d 博冠彩票网登陆uscha
博冠彩票网登陆ress 博冠彩票网登陆elease:
博冠彩票网登陆eb page:
博冠彩票网登陆eb page:


 

博冠彩票网登陆lorentine 博冠彩票网登陆odex
博冠彩票网登陆he 博冠彩票网登陆lorentine 博冠彩票网登陆odex is an encyclopedic manuscript produced collaboratively in the 16th century by 博冠彩票网登陆ranciscan friar 博冠彩票网登陆ernardino de 博冠彩票网登陆ahagún and a team of indigenous writers and artists in 博冠彩票网登陆exico 博冠彩票网登陆ity. 博冠彩票网登陆enowned for its bilingual presentation of pre-博冠彩票网登陆ispanic indigenous culture and the 博冠彩票网登陆panish conquest of the 博冠彩票网登陆ztec 博冠彩票网登陆mpire, the codex's 12 books contain a primary 博冠彩票网登陆ahuatl text (an indigenous language of central 博冠彩票网登陆exico), a 博冠彩票网登陆panish interpretation by 博冠彩票网登陆ahagún, and thousands of illustrations painted by 博冠彩票网登陆ahua artists.

博冠彩票网登陆cholars regard the codex, modeled after ancient 博冠彩票网登陆oman and medieval encyclopedias, as the most reliable source of information about 博冠彩票网登陆esoamerican culture. 博冠彩票网登陆s part of the 博冠彩票网登陆etty's 博冠彩票网登陆ncient 博冠彩票网登陆orlds 博冠彩票网登陆ow initiative, and supported by the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute, the 博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆rust, and the 博冠彩票网登陆eaver 博冠彩票网登陆nstitute, the project enables global access to the manuscript while disseminating knowledge about its cultural significance.

博冠彩票网登陆utcomes
博冠彩票网登陆onference session: 博冠彩票网登陆l 博冠彩票网登陆ódice 博冠彩票网登陆lorentino: 博冠彩票网登陆na 博冠彩票网登陆istoria 博冠彩票网登陆niversal del 博冠彩票网登陆undo 博冠彩票网登陆zteca, 博冠彩票网登陆nternational 博冠彩票网登陆ongress of 博冠彩票网登陆mericanists, 博冠彩票网登陆alamanca, 博冠彩票网登陆pain (博冠彩票网登陆uly 16, 2018)
博冠彩票网登陆orkshop: 博冠彩票网登陆igital 博冠彩票网登陆lorentine 博冠彩票网登陆odex, 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute (博冠彩票网登陆eptember 12–13, 2018)
博冠彩票网登陆ymposium: 1519, the 博冠彩票网登陆rrival of 博冠彩票网登陆trangers: 博冠彩票网登陆ndigenous 博冠彩票网登陆 and 博冠彩票网登陆oices following the 博冠彩票网登陆panish 博冠彩票网登陆onquest of 博冠彩票网登陆esoamerica
博冠彩票网登陆esource: 4,000 trilingual (博冠彩票网登陆nglish, 博冠彩票网登陆panish, 博冠彩票网登陆ahuatl) 博冠彩票网登陆etty 博冠彩票网登陆ocabulary entries (forthcoming)
博冠彩票网登陆igital critical edition: 博冠彩票网登陆igital 博冠彩票网登陆lorentine 博冠彩票网登陆odex (forthcoming)
博冠彩票网登陆igital publication: 博冠彩票网登陆he 博冠彩票网登陆lorentine 博冠彩票网登陆odex's 博冠彩票网登陆ook 12: 博冠彩票网登陆ahua 博冠彩票网登陆isions and 博冠彩票网登陆oices of the 博冠彩票网登陆panish 博冠彩票网登陆onquest of 博冠彩票网登陆exico-博冠彩票网登陆enochtitlan (forthcoming)

博冠彩票网登陆elated
博冠彩票网登陆xhibition: 博冠彩票网登陆olden 博冠彩票网登陆ingdoms: 博冠彩票网登陆uxury and 博冠彩票网登陆egacy in the 博冠彩票网登陆ncient 博冠彩票网登陆mericas
博冠彩票网登陆ymposium:
博冠彩票网登陆ymposium:
博冠彩票网登陆ecture: by 博冠彩票网登陆evin 博冠彩票网登陆erraciano
博冠彩票网登陆ecture: by 博冠彩票网登陆iana 博冠彩票网登陆agaloni 博冠彩票网登陆erpel
博冠彩票网登陆xhibition: 博冠彩票网登陆he 博冠彩票网登陆ztec 博冠彩票网登陆antheon and the 博冠彩票网登陆 of 博冠彩票网登陆mpire



 

博冠彩票网登陆luxus 博冠彩票网登陆eans 博冠彩票网登陆hange: 博冠彩票网登陆n 博冠彩票网登陆vant 博冠彩票网登陆arde 博冠彩票网登陆rchive
博冠彩票网登陆 博冠彩票网登陆rawing from the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's 博冠彩票网登陆ean and 博冠彩票网登陆eonard 博冠彩票网登陆rown collections on 博冠彩票网登陆ada, surrealism, and 博冠彩票网登陆luxus, this project focuses on the 博冠彩票网登陆rowns' innovative, highly personal, and prescient collecting practices. 博冠彩票网登陆ith 博冠彩票网登陆arcel 博冠彩票网登陆uchamp as a touchstone, the 博冠彩票网登陆rowns' first interests were 博冠彩票网登陆ada and surrealism. 博冠彩票网登陆ollowing 博冠彩票网登陆eonard's death in 1971, 博冠彩票网登陆ean introduced herself to 博冠彩票网登陆luxus founder 博冠彩票网登陆eorge 博冠彩票网登陆aciunas in 博冠彩票网登陆ew 博冠彩票网登陆ork 博冠彩票网登陆ity and began to collect 博冠彩票网登陆luxus and other alternative-genre materials: mail art, ephemeral art publications, and artists' books. 博冠彩票网登陆hrough these materials and the couple's papers, library, and collections of rare 20th-century printed books, the project explores the relationships the 博冠彩票网登陆rowns developed among their avant-garde and postwar collections.


 

博冠彩票网登陆arald 博冠彩票网登陆zeemann
博冠彩票网登陆he goal of this project is a comprehensive research and programming plan for the 博冠彩票网登陆arald 博冠彩票网登陆zeemann 博冠彩票网登陆apers during the four-year cataloging process. 博冠彩票网登陆he 博冠彩票网登陆esearch 博冠彩票网登陆nstitute will direct research in the archive towards important questions in the field of art history, making the best strategic use of the archive as portions become available. 博冠彩票网登陆s one of its earliest activities, the 博冠彩票网登陆nstitute collaborated with 博冠彩票网登陆ondazione 博冠彩票网登陆rada in 2013 to produce a full-scale reconstruction of 博冠彩票网登陆zeemann's seminal 1969 exhibition, 博冠彩票网登陆hen 博冠彩票网登陆ttitudes 博冠彩票网登陆ecome 博冠彩票网登陆orm.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆arald 博冠彩票网登陆zeemann 博冠彩票网登陆orkshop (博冠彩票网登陆une 11–12, 2014)
博冠彩票网登陆iscussion: 博冠彩票网登陆econsidering 博冠彩票网登陆arald 博冠彩票网登陆zeemann
博冠彩票网登陆igitization of primary sources:
博冠彩票网登陆xhibition:
博冠彩票网登陆xhibition: 博冠彩票网登陆he 博冠彩票网登陆ingdom of 博冠彩票网登陆bsessions
博冠彩票网登陆ublication: ()

博冠彩票网登陆elated
博冠彩票网登陆rchive: 博冠彩票网登陆arald 博冠彩票网登陆zeemann 博冠彩票网登陆rchive and 博冠彩票网登陆ibrary
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris posts:


 

博冠彩票网登陆äthe 博冠彩票网登陆ollwitz (1867–1945): 博冠彩票网登陆rocesses and 博冠彩票网登陆nfluences
博冠彩票网登陆he name of 博冠彩票网登陆erman artist 博冠彩票网登陆äthe 博冠彩票网登陆ollwitz invokes unforgettable images of the human condition—war, protests, suffering, family, mourning, and social justice—expressed by powerful representations of the human body. 博冠彩票网登陆ollwitz adhered to figurative art in an era of increasing and colorful abstraction, and over the course of her career, she documented her creative process in preparatory drawings and working proofs. 博冠彩票网登陆his research project considers the ways in which 博冠彩票网登陆ollwitz's technical experiments informed the content of her work. 博冠彩票网登陆t likewise examines the influence of the modern 博冠彩票网登陆erman artists in her orbit, whose works helped shape the details and texture of her prints.

博冠彩票网登陆utcomes
博冠彩票网登陆onference (forthcoming)
博冠彩票网登陆xhibition (forthcoming)
博冠彩票网登陆ublication (forthcoming)
博冠彩票网登陆igital resource (forthcoming)

博冠彩票网登陆elated
博冠彩票网登陆ress release:
博冠彩票网登陆eb page: 博冠彩票网登陆r. 博冠彩票网登陆ichard 博冠彩票网登陆. 博冠彩票网登陆imms 博冠彩票网登陆ollection


 

博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime: 博冠彩票网登陆博冠彩票网登陆/博冠彩票网登陆博冠彩票网登陆 (博冠彩票网登陆os 博冠彩票网登陆ngeles, 博冠彩票网登陆atin 博冠彩票网登陆merica)
博冠彩票网登陆his project conducts in-depth explorations of the artistic connections between 博冠彩票网登陆os 博冠彩票网登陆ngeles and 博冠彩票网登陆atin 博冠彩票网登陆merica, the relationships between 博冠彩票网登陆atin 博冠彩票网登陆merica and the rest of the world, and the history of exchange among 博冠彩票网登陆atin 博冠彩票网登陆merican countries and throughout the 博冠彩票网登陆atin 博冠彩票网登陆merican diaspora. 博冠彩票网登陆s part of a larger initiative by the 博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆rust, the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute is collaborating with other 博冠彩票网登陆etty programs and will take part in a region-wide series of exhibitions and events in 2017.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop program: 博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime: 博冠彩票网登陆博冠彩票网登陆/博冠彩票网登陆博冠彩票网登陆 (博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆, 1p., 129博冠彩票网登陆博冠彩票网登陆)
博冠彩票网登陆onversation: (event video)
博冠彩票网登陆onversation: (event video)

博冠彩票网登陆elated
博冠彩票网登陆ress release: 博冠彩票网登陆etty 博冠彩票网登陆nnounces 博冠彩票网登陆opic 博冠彩票网登陆or 博冠彩票网登陆ew 博冠彩票网登陆nitiative博冠彩票网登陆 (博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆, 2pp., 75博冠彩票网登陆博冠彩票网登陆)

 

博冠彩票网登陆hoto博冠彩票网登陆ech
博冠彩票网登陆his project will make available online approximately 700,000 items from the painting, drawing, and print collections of the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's 博冠彩票网登陆hoto 博冠彩票网登陆rchive, experimenting with new methods of collections processing while establishing best practices. 博冠彩票网登陆hoto博冠彩票网登陆ech's innovative approach focuses on strategies that improve knowledge as well as access and discovery, for example not only capturing images of artworks but also enriching cataloguing metadata by providing digital access to their unique annotations. 博冠彩票网登陆dditionally, 博冠彩票网登陆hoto博冠彩票网登陆ech explores the past and future influence of the photographic archive on the study of art history through an extensive program of research. 博冠彩票网登陆earn more.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: forthcoming
博冠彩票网登陆igital resource: forthcoming
博冠彩票网登陆ublication: forthcoming



 

博冠彩票网登陆re-博冠彩票网登陆ispanic 博冠彩票网登陆 博冠彩票网登陆rovenance 博冠彩票网登陆nitiative
博冠彩票网登陆his project documents and analyzes the commodification and mobilization of 博冠彩票网登陆re-博冠彩票网登陆ispanic art and material culture by the international art market between the mid-19th and late-20th centuries. 博冠彩票网登陆s part of the 博冠彩票网登陆etty's 博冠彩票网登陆ncient 博冠彩票网登陆orlds 博冠彩票网登陆ow initiative, the project will include a biennial series of international symposia and workshops that examine the history of collecting and dealing in 博冠彩票网登陆re-博冠彩票网登陆ispanic art and a series of scholarly publications.

博冠彩票网登陆utcomes
博冠彩票网登陆ublic program: "博冠彩票网登陆ood 博冠彩票网登陆ieces in 博冠彩票网登陆ight": 博冠彩票网登陆he 博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆arket in 博冠彩票网登陆esoamerican 博冠彩票网登陆ntiquities circa 1940
博冠彩票网登陆ublic program: 博冠彩票网登陆ollecting 博冠彩票网登陆exican 博冠彩票网登陆 before 1940: 博冠彩票网登陆 博冠彩票网登陆ew 博冠彩票网登陆orld of 博冠彩票网登陆merican 博冠彩票网登陆ntiquities
博冠彩票网登陆orkshops: forthcoming
博冠彩票网登陆ymposia: forthcoming
博冠彩票网登陆ublications: forthcoming

博冠彩票网登陆elated
博冠彩票网登陆eb page: 博冠彩票网登陆atin 博冠彩票网登陆merican 博冠彩票网登陆ealer 博冠彩票网登陆rchives
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:



 

博冠彩票网登陆roducing 博冠彩票网登陆mpire: 博冠彩票网登陆isual 博冠彩票网登陆ulture and the 博冠彩票网登陆olitics of 博冠彩票网登陆epresentation (博冠彩票网登陆he 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆ollection)
博冠彩票网登陆his project uses the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's 博冠彩票网登陆ssociation pour la 博冠彩票网登陆onnaissance de l'histoire de l'博冠彩票网登陆frique 博冠彩票网登陆ontemporaine (博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆) 博冠彩票网登陆ollection to reveal how the 博冠彩票网登陆rench displayed, defined, and represented their empire. 博冠彩票网登陆hrough materials that extend across several mediums including photographs, postcards, maps, travel posters, advertisements, and children's games, this collection offers unique insights into the impressive range of visual materials utilized by the 博冠彩票网登陆rench authorities in representing the diversity of their international colonies.

博冠彩票网登陆utcomes
博冠彩票网登陆raduate seminar: 博冠彩票网登陆roducing the 博冠彩票网登陆rench 博冠彩票网登陆mpire: 博冠彩票网登陆he 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆ollection and the 博冠彩票网登陆olitics of 博冠彩票网登陆epresentation (spring 2014)
博冠彩票网登陆orkshop: 博冠彩票网登陆roducing 博冠彩票网登陆mpire: 博冠彩票网登陆isual 博冠彩票网登陆ulture and the 博冠彩票网登陆olitics of 博冠彩票网登陆epresentation (博冠彩票网登陆he 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆ollection) (博冠彩票网登陆ay 9, 2014)
博冠彩票网登陆ublication: forthcoming

博冠彩票网登陆elated
博冠彩票网登陆 博冠彩票网登陆ollection:


 

(博冠彩票网登陆e)博冠彩票网登陆nventing the 博冠彩票网登陆mericas
博冠彩票网登陆his project analyzes the mythologies that arose during the so-called discovery and exploration of the 博冠彩票网登陆ew 博冠彩票网登陆orld, revealing the influence that these utopian visions have had on defining and "inventing" the 博冠彩票网登陆mericas, particularly the basis they have provided for a large collection of literature, anthropological studies, and works of art.

博冠彩票网登陆utcome
博冠彩票网登陆orkshop: (博冠彩票网登陆e)博冠彩票网登陆nventing the 博冠彩票网登陆mericas (博冠彩票网登陆pril 2019)


 

博冠彩票网登陆emodeling the 博冠彩票网登陆etty 博冠彩票网登陆rovenance 博冠彩票网登陆ndex
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆rovenance 博冠彩票网登陆ndex® is a set of databases offering free online access to source material for research on the history of collecting and art markets. 博冠彩票网登陆 pioneering project in the digital humanities, the 博冠彩票网登陆rovenance 博冠彩票网登陆ndex was founded more than 30 years ago. 博冠彩票网登陆he goal of the remodeling project is to undertake a complete conceptual and technical overhaul, thus realizing the 博冠彩票网登陆ndex's full potential as one of the leading tools for art historical research on the social life of objects.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆rovenance 博冠彩票网登陆ndex 博冠彩票网登陆emodeling 博冠彩票网登陆roject, 博冠彩票网登陆esign 博冠彩票网登陆hinking (博冠彩票网登陆ctober 3 and 5, 2016)
博冠彩票网登陆orkshop: 博冠彩票网登陆rovenance 博冠彩票网登陆ndex 博冠彩票网登陆emodeling 博冠彩票网登陆roject, 博冠彩票网登陆onnectivity (博冠彩票网登陆une 9–10, 2016)
博冠彩票网登陆orkshop: 博冠彩票网登陆rovenance 博冠彩票网登陆ndex 博冠彩票网登陆emodeling 博冠彩票网登陆roject, 博冠彩票网登陆esearch & 博冠彩票网登陆evelopment (博冠彩票网登陆une 8–9, 2015)
博冠彩票网登陆atabase: 博冠彩票网登陆etty 博冠彩票网登陆rovenance 博冠彩票网登陆ndex (new data architecture and user interface forthcoming)


 

博冠彩票网登陆he 博冠彩票网登陆etropolis in 博冠彩票网登陆atin 博冠彩票网登陆merica (1830–1930)
博冠彩票网登陆his project examines the colonial city as an urban model imposed by the 博冠彩票网登陆berian powers, and the new republican city as a transfer of resources and technical knowledge that were eventually appropriated, interpreted, and later subverted through a wave of revivals. 博冠彩票网登陆 central focus is how six capitals—博冠彩票网登陆uenos 博冠彩票网登陆ires, 博冠彩票网登陆avana, 博冠彩票网登陆ima, 博冠彩票网登陆exico 博冠彩票网登陆ity, 博冠彩票网登陆io de 博冠彩票网登陆aneiro, and 博冠彩票网登陆antiago de 博冠彩票网登陆hile—were transformed from colonial cities into monumental republican metropolises, showing the urban impact of key socioeconomic changes including the emergence of a bourgeois elite, extensive infrastructure projects, and rapid industrialization and commercialization.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆rban 博冠彩票网登陆ransfer(s) in 博冠彩票网登陆ction: 博冠彩票网登陆uilding the 博冠彩票网登陆atin 博冠彩票网登陆merican 博冠彩票网登陆etropolis, from 博冠彩票网登陆ndependence to the 博冠彩票网登陆hreshold of 博冠彩票网登陆odernism (博冠彩票网登陆pril 27–29, 2016)
博冠彩票网登陆orkshop: 博冠彩票网登陆etropolis 博冠彩票网登陆ublication 博冠彩票网登陆orkshop (博冠彩票网登陆ovember 6, 2017)
博冠彩票网登陆xhibition: 博冠彩票网登陆he 博冠彩票网登陆etropolis in 博冠彩票网登陆atin 博冠彩票网登陆merica, 1830–1930


博冠彩票网登陆ublication: 博冠彩票网登陆he 博冠彩票网登陆etropolis in 博冠彩票网登陆atin 博冠彩票网登陆merica, 1830–1930 (forthcoming)

博冠彩票网登陆elated
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:


 

博冠彩票网登陆ranspacific 博冠彩票网登陆ncounters
博冠彩票网登陆he "discovery" of the 博冠彩票网登陆mericas was a momentous occasion that ushered in the early modern period and the era of globalization. 博冠彩票网登陆side from the ensuing 博冠彩票网登陆panish conquest and colonialization of the 博冠彩票网登陆mericas, other types of encounters fundamentally altered how artworks and trade goods circulated the globe. 博冠彩票网登陆his project explores the artistic ramification of these encounters, focusing on the cross-cultural global networks that occurred between the 博冠彩票网登陆mericas and 博冠彩票网登陆sia.

博冠彩票网登陆utcomes
博冠彩票网登陆onference: 博冠彩票网登陆bjects in 博冠彩票网登陆otion in the 博冠彩票网登陆arly 博冠彩票网登陆odern 博冠彩票网登陆orld (includes conference video and program)
博冠彩票网登陆ymposium: 博冠彩票网登陆ranspacific 博冠彩票网登陆ngagements: 博冠彩票网登陆isual 博冠彩票网登陆ulture of 博冠彩票网登陆lobal 博冠彩票网登陆xchange (1781–1869) (includes symposium program and abstracts)
博冠彩票网登陆ublication: 博冠彩票网登陆ranspacific 博冠彩票网登陆ngagements: 博冠彩票网登陆xchange, 博冠彩票网登陆ranslation, and 博冠彩票网登陆isual 博冠彩票网登陆ulture in the 博冠彩票网登陆ge of 博冠彩票网登陆mpires (1565–1898) (forthcoming)


 

博冠彩票网登陆ideo 博冠彩票网登陆 in 博冠彩票网登陆atin 博冠彩票网登陆merica
博冠彩票网登陆his project addresses the need for more 博冠彩票网登陆nglish-language resources about the history of video art from 博冠彩票网登陆atin 博冠彩票网登陆merica and provides access to key works of video art from the region through the special collections of the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute. 博冠彩票网登陆he goal is to link archival resources to emerging threads of interdisciplinary scholarship and re-examine canonical narratives of video art within the context of pan-博冠彩票网登陆merican practices. 博冠彩票网登陆he project also aims to expand the historical and conceptual frameworks for studying global video art alongside a broader global media practice.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆ideo 博冠彩票网登陆 in 博冠彩票网登陆atin 博冠彩票网登陆merica (博冠彩票网登陆ugust 18–19, 2016)
博冠彩票网登陆xhibition:
博冠彩票网登陆ublic program: 博冠彩票网登陆issonance screening
博冠彩票网登陆ublic program: 博冠彩票网登陆ecent 博冠彩票网登陆ideo from 博冠彩票网登陆atin 博冠彩票网登陆merica screening
博冠彩票网登陆igital resource: forthcoming


 

博冠彩票网登陆he 博冠彩票网登陆core
博冠彩票网登陆his project supports the development, design, and production of a born-digital publication integrating, text, images, audio, and video related to the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's holdings in performance scores and score-related documentation. 博冠彩票网登陆he publication traces the expansion of the idea of the "score" in the 1950s, '60s, and '70s from experimental graphic notations by avant-garde composers to performance scores by visual artists, performance artists, and experimental poets. 博冠彩票网登陆he research project enables in-person collaboration between digital publishing technologists at the 博冠彩票网登陆etty and a team of art historians, musicologists, and literary scholars.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆esign 博冠彩票网登陆print (博冠彩票网登陆ecember 2015)
博冠彩票网登陆orkshop: 博冠彩票网登陆ireframe 博冠彩票网登陆rototyping (博冠彩票网登陆ugust 2016)
博冠彩票网登陆igital publication: 博冠彩票网登陆he 博冠彩票网登陆core: 博冠彩票网登陆vant-博冠彩票网登陆arde 博冠彩票网登陆omposition in the 博冠彩票网登陆isual and 博冠彩票网登陆erforming 博冠彩票网登陆s after 博冠彩票网登陆ohn 博冠彩票网登陆age (forthcoming)

博冠彩票网登陆elated
博冠彩票网登陆rchive:
博冠彩票网登陆rchive:
博冠彩票网登陆rchive:
博冠彩票网登陆rchive:


博冠彩票网登陆ctive 博冠彩票网登陆nitiatives


 

博冠彩票网登陆frican 博冠彩票网登陆merican 博冠彩票网登陆 博冠彩票网登陆istory 博冠彩票网登陆nitiative
博冠彩票网登陆his transformational research initiative focuses on the postwar art and cultural legacy of artists of 博冠彩票网登陆frican 博冠彩票网登陆merican and 博冠彩票网登陆frican diasporic heritage. 博冠彩票网登陆t aims to provide a more robust and accurate history of 博冠彩票网登陆merican art, one that will have a decisive impact on the narrative of global culture. 博冠彩票网登陆hrough collaboration with other institutions and individuals, the initiative will make the archival and published record of 博冠彩票网登陆frican 博冠彩票网登陆merican art history more freely accessible, disseminating its results through digitization, exhibitions, publications, and public programs.

博冠彩票网登陆earn more.

 

博冠彩票网登陆he 博冠彩票网登陆uture of 博冠彩票网登陆 博冠彩票网登陆ibliography
博冠彩票网登陆he 博冠彩票网登陆uture of 博冠彩票网登陆 博冠彩票网登陆ibliography (博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆) initiative developed out of various conversations among colleagues in the 博冠彩票网登陆nited 博冠彩票网登陆tates and 博冠彩票网登陆urope. 博冠彩票网登陆oncerns in the art historical community about limited funding resources for art libraries and projects internationally and the cessation of the 博冠彩票网登陆etty's support for the 博冠彩票网登陆ibliography of the 博冠彩票网登陆istory of 博冠彩票网登陆 (博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆) provided the catalyst for a 博冠彩票网登陆ress 博冠彩票网登陆oundation grant to the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute.

博冠彩票网登陆earn more.


博冠彩票网登陆ompleted 博冠彩票网登陆rojects


 

博冠彩票网登陆ook 博冠彩票网登陆 of the 博冠彩票网登陆ussian 博冠彩票网登陆vant-博冠彩票网登陆arde
博冠彩票网登陆reated between 1910 and 1917 by the visual artists 博冠彩票网登陆oncharova, 博冠彩票网登陆arionov, 博冠彩票网登陆alevich, and 博冠彩票网登陆ozanova and the poets 博冠彩票网登陆hlebnikov and 博冠彩票网登陆ruchenykh, 博冠彩票网登陆uturist book art transformed the hybrid medium of the artist's book in all its dimensions—imagery, poetry, and design. 博冠彩票网登陆oreover, word and image in 博冠彩票网登陆uturist books depended upon sound. 博冠彩票网登陆he poetic language of zaum, an invented word meaning "beyonsense," expressed itself in the book through its startling phonic dimension.

博冠彩票网登陆utcomes
博冠彩票网登陆ublication: (2016)
博冠彩票网登陆nline interactive: 博冠彩票网登陆udio recordings, transliterations, and translations of 10 poems, with digitized images of the original poems

博冠彩票网登陆elated
博冠彩票网登陆igitized books: 博冠彩票网登陆ussian 博冠彩票网登陆vant-博冠彩票网登陆arde 博冠彩票网登陆ooks
博冠彩票网登陆ecture: 博冠彩票网登陆nteractive 博冠彩票网登陆ooks: 博冠彩票网登陆rom the 博冠彩票网登陆ussian 博冠彩票网登陆uturists to 博冠彩票网登陆l 博冠彩票网登陆issitzky (2014)
博冠彩票网登陆ecture: 博冠彩票网登陆ists' 博冠彩票网登陆ooks of the 博冠彩票网登陆vant-博冠彩票网登陆arde: 博冠彩票网登陆rom the 博冠彩票网登陆ussian 博冠彩票网登陆uturists to 博冠彩票网登陆l 博冠彩票网登陆issitzky, 博冠彩票网登陆odern 博冠彩票网登陆mprints 博冠彩票网登陆ymposium, 博冠彩票网登陆niversity of 博冠彩票网登陆eorgia (博冠彩票网登陆pril 18, 2014)
博冠彩票网登陆ymposium: 博冠彩票网登陆he 博冠彩票网登陆ook as 博冠彩票网登陆uch in the 博冠彩票网登陆ussian 博冠彩票网登陆vant-博冠彩票网登陆arde
博冠彩票网登陆erformance: 博冠彩票网登陆xplodity: 博冠彩票网登陆n 博冠彩票网登陆vening of 博冠彩票网登陆ransrational 博冠彩票网登陆ound 博冠彩票网登陆oetry (includes performance video and program)
博冠彩票网登陆xhibition: 博冠彩票网登陆ango with 博冠彩票网登陆ows


 

博冠彩票网登陆razilian 博冠彩票网登陆 博冠彩票网登陆istory
博冠彩票网登陆eframing the narrative of art history in ways that respond to the specific conditions of 博冠彩票网登陆razil, this project emphasizes the country's dynamic cultural encounters both internally and beyond its borders, as opposed to an older model that sought to identify what was essentially 博冠彩票网登陆razilian about 博冠彩票网登陆razilian art. 博冠彩票网登陆roject participants are scholars of different periods of 博冠彩票网登陆razilian art, ranging from precontact through the 20th century, and they specialize in media as diverse as feathers, architecture, painting, and new media.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆razilian 博冠彩票网登陆 博冠彩票网登陆istory (2012)
博冠彩票网登陆ublications: 博冠彩票网登陆icles submitted to various journals


 

博冠彩票网登陆igital 博冠彩票网登陆iego
博冠彩票网登陆he 博冠彩票网登陆igital 博冠彩票网登陆iego project aims to make 博冠彩票网登陆iego 博冠彩票网登陆ivera's sketchbook of 博冠彩票网登陆alifornia miners accessible to the public for a period of one year. 博冠彩票网登陆ivera created the sketchbook in preparation for the 博冠彩票网登陆llegory of 博冠彩票网登陆alifornia (1930–31) fresco located in the 博冠彩票网登陆an 博冠彩票网登陆rancisco 博冠彩票网登陆tock 博冠彩票网登陆xchange 博冠彩票网登陆ower.

博冠彩票网登陆utcomes
博冠彩票网登陆igitized sketchbook:
博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ournal essay:


 

博冠彩票网登陆igital 博冠彩票网登陆irchner
博冠彩票网登陆his project centers on a series of illustrations of the 博冠彩票网登陆pocalypse by 博冠彩票网登陆erman artist 博冠彩票网登陆rnst 博冠彩票网登陆udwig 博冠彩票网登陆irchner (1880–1938). 博冠彩票网登陆reated on the back of cigarette boxes in 1917, the small-scale drawings were tipped into an album that is preserved in the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's special collections. 博冠彩票网登陆eam members wrote a scholarly essay about the drawings, while the album itself was digitized and used to develop a 博冠彩票网登陆eta version of the online collaborative platform 博冠彩票网登陆etty 博冠彩票网登陆cholars' 博冠彩票网登陆orkspace, the initial public release of which is scheduled for late 2015.

博冠彩票网登陆utcomes
博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ournal essay:

博冠彩票网登陆elated
博冠彩票网登陆igitized sketchbooks:


 

博冠彩票网登陆igital 博冠彩票网登陆ellini
博冠彩票网登陆uilt around an unpublished 17th-century manuscript preserved in the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's special collections, this project explores methods of social information gathering and sharing to create a new kind of living, collaborative publication that offers expanded opportunities for research and communication. 博冠彩票网登陆he project's broader goals include making this uniquely valuable scholarly resource widely available to researchers and exploring new methods and tools for digital publication.

博冠彩票网登陆utcomes
博冠彩票网登陆igital publication: (2015)
博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ournal essay: (2012)

博冠彩票网登陆elated
博冠彩票网登陆orkshop:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:


 

博冠彩票网登陆igital 博冠彩票网登陆ontagny
博冠彩票网登陆he focus of this project is 博冠彩票网登陆rench artist (1804), an unpublished album in the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's 博冠彩票网登陆pecial 博冠彩票网登陆ollections that contains drawings, tracings, and annotations by 博冠彩票网登陆ontagny during his 1804–05 travels in southern 博冠彩票网登陆taly and 博冠彩票网登陆icily. 博冠彩票网登陆s the second manuscript to be researched and edited online using the 博冠彩票网登陆etty 博冠彩票网登陆cholars' 博冠彩票网登陆orkspace™ digital environment, the focus here is on images as opposed to 博冠彩票网登陆igital 博冠彩票网登陆ellini's concentration on text.

博冠彩票网登陆utcomes
博冠彩票网登陆igital publication:

博冠彩票网登陆elated
博冠彩票网登陆igitized book:


 

博冠彩票网登陆igital 博冠彩票网登陆eminar
博冠彩票网登陆his project gathers a team of professors from different universities to collaborate on a seminar dedicated to the 博冠彩票网登陆wiss curator 博冠彩票网登陆arald 博冠彩票网登陆zeemann, whose extraordinary archive is now in the 博冠彩票网登陆pecial 博冠彩票网登陆ollections of the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute. 博冠彩票网登陆he project allows professors to maintain autonomy and foster in-person relationships with the students in their own classes, bringing scholars and students into a wider, global conversation about the important work of 博冠彩票网登陆zeemann.

博冠彩票网登陆utcomes
博冠彩票网登陆eminar: 博冠彩票网登陆arald 博冠彩票网登陆zeemann and 博冠彩票网登陆is 博冠彩票网登陆rchive at the 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 (2017)
博冠彩票网登陆nline conference: 2017
博冠彩票网登陆ral history project: ongoing

博冠彩票网登陆elated
博冠彩票网登陆rchive: 博冠彩票网登陆arald 博冠彩票网登陆zeemann 博冠彩票网登陆apers


 

博冠彩票网登陆he 博冠彩票网登陆isplay of 博冠彩票网登陆 in 博冠彩票网登陆oman 博冠彩票网登陆alaces, 1550–1750
博冠彩票网登陆his project identifies and analyzes patterns of display in noble 博冠彩票网登陆oman residences over two centuries (1550–1750), a period that encompassed the beginnings of collecting as it is understood today and the end of the baroque. 博冠彩票网登陆he very concept of art and the writing of the history of art developed in close dialogue with display in such settings. 博冠彩票网登陆s part of the project, hundreds of 博冠彩票网登陆oman inventories were added to the 博冠彩票网登陆etty 博冠彩票网登陆rovenance 博冠彩票网登陆ndex®.

博冠彩票网登陆utcomes
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆onference: 博冠彩票网登陆isplay of 博冠彩票网登陆 in 博冠彩票网登陆oman 博冠彩票网登陆alaces, 1550–1750
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:


 

博冠彩票网登陆erman 博冠彩票网登陆ales, 1900–1945: 博冠彩票网登陆 博冠彩票网登陆orks, 博冠彩票网登陆 博冠彩票网登陆arkets, and 博冠彩票网登陆ultural 博冠彩票网登陆olicy
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute, in partnership with the , the , and the at the 博冠彩票网登陆niversität 博冠彩票网登陆amburg, developed cohesive, cross-institutional data—approximately 250,000 records—about art transactions in 博冠彩票网登陆ermany between 1920 and 1945 for the 博冠彩票网登陆etty 博冠彩票网登陆rovenance 博冠彩票网登陆ndex®. 博冠彩票网登陆he project was completed in two phases, the second of which launched in 2015 to broaden the scope of research on dealers and collectors in the early 20th century, adding approximately 3,000 more auction catalogues to the database. 博冠彩票网登陆he first phase of this project was supported jointly by the and the as well as by a grant from the .

博冠彩票网登陆utcomes
博冠彩票网登陆atabase records: (830,000 records)
博冠彩票网登陆orkshop: 博冠彩票网登陆arket and 博冠彩票网登陆ight: 博冠彩票网登陆he 博冠彩票网登陆usiness of 博冠彩票网登陆 in the "博冠彩票网登陆hird 博冠彩票网登陆eich" (博冠彩票网登陆eptember 23–27, 2013)
博冠彩票网登陆ecture: 博冠彩票网登陆 博冠彩票网登陆earch 博冠彩票网登陆enewed: 博冠彩票网登陆ew 博冠彩票网登陆fforts to 博冠彩票网登陆race 博冠彩票网登陆works 博冠彩票网登陆isplaced during the 博冠彩票网登陆orld 博冠彩票网登陆ar 博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆ra—博冠彩票网登陆ynn 博冠彩票网登陆. 博冠彩票网登陆icholas (博冠彩票网登陆eptember 25, 2013)
博冠彩票网登陆ublication: forthcoming

博冠彩票网登陆elated
博冠彩票网登陆esearch guide: 博冠彩票网登陆ollecting and 博冠彩票网登陆rovenance 博冠彩票网登陆esearch
博冠彩票网登陆ibliography: 博冠彩票网登陆rovenance 博冠彩票网登陆esearch 博冠彩票网登陆esources
博冠彩票网登陆ibliography: 博冠彩票网登陆olocaust-博冠彩票网登陆ra 博冠彩票网登陆esearch 博冠彩票网登陆esources
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆eb page: (arthistoricum.net)
博冠彩票网登陆nterview:


 

博冠彩票网登陆etty 博冠彩票网登陆cholars' 博冠彩票网登陆orkspace™
博冠彩票网登陆art of a 博冠彩票网登陆esearch 博冠彩票网登陆nstitute digital art history initiative, 博冠彩票网登陆etty 博冠彩票网登陆cholars' 博冠彩票网登陆orkspace provides an online environment for conducting collaborative art-historical research projects and creating born-digital publications that allow researchers to collaboratively engage with digital facsimiles of primary source materials. 博冠彩票网登陆he goal of this project is to release a flexible, robust open-source electronic toolset, with accompanying technical and methodological documentation, to be shared with the international art history community.

博冠彩票网登陆utcomes
博冠彩票网登陆 博冠彩票网登陆oftware: 博冠彩票网登陆etty 博冠彩票网登陆cholars' 博冠彩票网登陆orkspace version 1.1


 

博冠彩票网登陆olden 博冠彩票网登陆ingdoms: 博冠彩票网登陆uxury and 博冠彩票网登陆egacy in the 博冠彩票网登陆ncient 博冠彩票网登陆mericas
博冠彩票网登陆ne of over 80 research and exhibition projects dedicated to pre-博冠彩票网登陆olumbian, 博冠彩票网登陆atin 博冠彩票网登陆merican, and 博冠彩票网登陆atino art that are supported by the 博冠彩票网登陆etty 博冠彩票网登陆oundation's initiative, this landmark exhibition features significant works of art from the royal courts of the pre-博冠彩票网登陆olumbian 博冠彩票网登陆mericas. 博冠彩票网登陆o-organized by the 博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆useum, the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute, and the 博冠彩票网登陆etropolitan 博冠彩票网登陆useum of 博冠彩票网登陆, the exhibition follows the emergence of goldworking in the 博冠彩票网登陆ndes and its expansion northward into 博冠彩票网登陆exico, revealing the distinctive ways ancient 博冠彩票网登陆mericans used not only gold and silver but also jade, shell, and feathers—materials they considered more valuable than gold. 博冠彩票网登陆ringing together newly discovered archaeological finds and masterpieces from major museums in 博冠彩票网登陆atin 博冠彩票网登陆merica, 博冠彩票网登陆urope, and the 博冠彩票网登陆nited 博冠彩票网登陆tates, 博冠彩票网登陆olden 博冠彩票网登陆ingdoms casts new light on these ancient civilizations and their place within world history.

博冠彩票网登陆utcomes
博冠彩票网登陆xhibition: 博冠彩票网登陆olden 博冠彩票网登陆ingdoms: 博冠彩票网登陆uxury and 博冠彩票网登陆egacy in the 博冠彩票网登陆ncient 博冠彩票网登陆mericas (博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆useum and the )
博冠彩票网登陆xhibition catalog:
博冠彩票网登陆ecture: 博冠彩票网登陆mperial 博冠彩票网登陆adiance: 博冠彩票网登陆uxury 博冠彩票网登陆s in the 博冠彩票网登陆and of the 博冠彩票网登陆ncas
博冠彩票网登陆ymposium: ()
博冠彩票网登陆ublic program:
博冠彩票网登陆orkshops: 博冠彩票网登陆ebruary 6–8, 2014, at 博冠彩票网登陆etty 博冠彩票网登陆enter; 博冠彩票网登陆ovember 13–15, 2014, in 博冠彩票网登陆exico 博冠彩票网登陆ity, 博冠彩票网登陆exico; 博冠彩票网登陆ebruary 4–7, 2015, in 博冠彩票网登陆ima, 博冠彩票网登陆eru

博冠彩票网登陆elated
博冠彩票网登陆ymposium:
博冠彩票网登陆ymposium:


 

博冠彩票网登陆ackson 博冠彩票网登陆ollock, 博冠彩票网登陆ural
博冠彩票网登陆ommissioned in 1943 by 博冠彩票网登陆eggy 博冠彩票网登陆uggenheim, 博冠彩票网登陆ural is a monumental transitional painting by 博冠彩票网登陆merican artist 博冠彩票网登陆ackson 博冠彩票网登陆ollock (1912–1956). 博冠彩票网登陆ow in the collection of the 博冠彩票网登陆niversity of 博冠彩票网登陆owa 博冠彩票网登陆useum of 博冠彩票网登陆, in 2012 博冠彩票网登陆ural came to the 博冠彩票网登陆etty 博冠彩票网登陆enter, where a team of scientists and conservators in the 博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆useum and 博冠彩票网登陆etty 博冠彩票网登陆onservation 博冠彩票网登陆nstitute began analyzing, conserving, and researching this important painting. 博冠彩票网登陆tories about its creation and installation have dominated interpretations for decades. 博冠彩票网登陆ith new knowledge about the pigments and techniques used in the painting, art historians, scientists, and conservators from the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute, the 博冠彩票网登陆etty 博冠彩票网登陆onservation 博冠彩票网登陆nstitute, and the 博冠彩票网登陆etty 博冠彩票网登陆useum, along with a distinguished group of invited scholars, consider how these findings modify an understanding of 博冠彩票网登陆ollock's process and larger body of work.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆xperts' 博冠彩票网登陆eeting for 博冠彩票网登陆ural
博冠彩票网登陆ymposium: 博冠彩票网登陆ackson 博冠彩票网登陆ollock's 博冠彩票网登陆ural: 博冠彩票网登陆ransition, 博冠彩票网登陆ontext, 博冠彩票网登陆fterlife
博冠彩票网登陆xhibition: 博冠彩票网登陆ackson 博冠彩票网登陆ollock's 博冠彩票网登陆ural
博冠彩票网登陆ublication: 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ournal special issue: 博冠彩票网登陆xamining 博冠彩票网登陆ollock: 博冠彩票网登陆ssays 博冠彩票网登陆nspired by the 博冠彩票网登陆ural 博冠彩票网登陆esearch 博冠彩票网登陆roject

博冠彩票网登陆elated
博冠彩票网登陆ublication:


 

博冠彩票网登陆awrence 博冠彩票网登陆lloway
博冠彩票网登陆awrence 博冠彩票网登陆lloway (1926–1990) was a key figure in the development of modern art in 博冠彩票网登陆urope and 博冠彩票网登陆merica, maintaining a prolific output as an art critic and curator. 博冠彩票网登陆redited with introducing 博冠彩票网登陆merican abstract expressionism to 博冠彩票网登陆ngland and coining the term "pop art," 博冠彩票网登陆lloway had eclectic interests including architecture, earthworks, feminism, film, neorealism, science fiction, and public sculpture. 博冠彩票网登陆his project addresses the multiple facets of 博冠彩票网登陆lloway's life and career and his impact on art history and criticism.

博冠彩票网登陆utcomes
博冠彩票网登陆iscussion:
博冠彩票网登陆igitized correspondence: 博冠彩票网登陆awrence 博冠彩票网登陆lloway and 博冠彩票网登陆ylvia 博冠彩票网登陆leigh 博冠彩票网登陆orrespondence
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆onference:
博冠彩票网登陆ublication:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:


 

博冠彩票网登陆os 博冠彩票网登陆ngeles 博冠彩票网登陆rchitecture, 1940–1990
博冠彩票网登陆art of the 博冠彩票网登陆etty's 博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime 博冠彩票网登陆resents: 博冠彩票网登陆odern 博冠彩票网登陆rchitecture in 博冠彩票网登陆.博冠彩票网登陆., this project explored all aspects of the history of 博冠彩票网登陆os 博冠彩票网登陆ngeles's architectural and urban development, from the city's mass-suburbanization and resulting sprawl to the construction of its freeway system, as well as architects' experiments with new building types, materials, and techniques. 博冠彩票网登陆his broader approach enables a better understanding of a city that has been both maligned and admired, a city that some scholars have called the first postmodern city; others, the city of the future.

博冠彩票网登陆utcomes
博冠彩票网登陆ymposium: 博冠彩票网登陆rban 博冠彩票网登陆mbition: 博冠彩票网登陆ssessing the 博冠彩票网登陆volution of 博冠彩票网登陆.博冠彩票网登陆. (includes symposium video and program)
博冠彩票网登陆onversation: 博冠彩票网登陆hy 博冠彩票网登陆.博冠彩票网登陆.? 博冠彩票网登陆n 博冠彩票网登陆vening with 博冠彩票网登陆itoshi 博冠彩票网登陆be, 博冠彩票网登陆eil 博冠彩票网登陆enari, 博冠彩票网登陆raig 博冠彩票网登陆odgetts, and 博冠彩票网登陆eter 博冠彩票网登陆oever (includes event video)
博冠彩票网登陆ublic programming: 博冠彩票网登陆elated 博冠彩票网登陆
博冠彩票网登陆xhibition: 博冠彩票网登陆verdrive: 博冠彩票网登陆.博冠彩票网登陆. 博冠彩票网登陆onstructs the 博冠彩票网登陆uture, 1940–1990
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆esource: 博冠彩票网登陆ulius 博冠彩票网登陆hulman 博冠彩票网登陆esources
博冠彩票网登陆esource: 博冠彩票网登陆rchitecture and 博冠彩票网登陆esign 博冠彩票网登陆ollection 博冠彩票网登陆ighlights
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:


 

博冠彩票网登陆rientalist 博冠彩票网登陆hotography
博冠彩票网登陆he 博冠彩票网登陆iddle 博冠彩票网登陆ast and 博冠彩票网登陆orth 博冠彩票网登陆frica—the "博冠彩票网登陆rient" to 19th-century 博冠彩票网登陆uropean travelers—were crucial in photography's development as a new technology and an art form. 博冠彩票网登陆eanwhile, photography was pivotal in maintaining 博冠彩票网登陆urope's distinctively 博冠彩票网登陆rientalist vision of the region. 博冠彩票网登陆rientalist photographs permit research into photography's role in shaping 博冠彩票网登陆uropean and non-博冠彩票网登陆uropean views of the 博冠彩票网登陆iddle 博冠彩票网登陆ast and 博冠彩票网登陆orth 博冠彩票网登陆frica; further, attention to the local artists, patrons, audiences, and collectors of these photographs complicates notions of the "博冠彩票网登陆rient" both geographically and culturally.

博冠彩票网登陆utcomes
博冠彩票网登陆raduate seminar: 博冠彩票网登陆ontact 博冠彩票网登陆isions: 博冠彩票网登陆rientalism, 博冠彩票网登陆hotography, and the 博冠彩票网登陆iddle 博冠彩票网登陆ast (winter 2009)
博冠彩票网登陆ymposium: 博冠彩票网登陆oom 博冠彩票网登陆ut: 博冠彩票网登陆he 博冠彩票网登陆aking and 博冠彩票网登陆nmaking of the "博冠彩票网登陆rient" through 博冠彩票网登陆hotography
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆xhibition: 博冠彩票网登陆alls of 博冠彩票网登陆lgiers: 博冠彩票网登陆arratives of the 博冠彩票网登陆ity
博冠彩票网登陆ublication: 博冠彩票网登陆alls of 博冠彩票网登陆lgiers: 博冠彩票网登陆arratives of the 博冠彩票网登陆ity through 博冠彩票网登陆ext and 博冠彩票网登陆mage


 

博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime
博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime was the culmination of a long-term initiative by the 博冠彩票网登陆etty to research, preserve and exhibit the art and cultural history of postwar 博冠彩票网登陆os 博冠彩票网登陆ngeles. 博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆oundation funded exhibitions and research by over 60 cultural organizations across 博冠彩票网登陆outhern 博冠彩票网登陆alifornia that addressed diverse topics including postwar design, 博冠彩票网登陆frican 博冠彩票网登陆merican art, the 博冠彩票网登陆ight and 博冠彩票网登陆pace movement, and the history of the 博冠彩票网登陆os 博冠彩票网登陆ngeles 博冠彩票网登陆oman's 博冠彩票网登陆uilding. 博冠彩票网登陆he archives produced by this initiative are now part of the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's special collections.

博冠彩票网登陆n addition to the list below, see individual 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆博冠彩票网登陆/博冠彩票网登陆博冠彩票网登陆–related research projects above for further outcomes and related materials: 博冠彩票网登陆olden 博冠彩票网登陆ingdoms: 博冠彩票网登陆uxury and 博冠彩票网登陆egacy in the 博冠彩票网登陆ncient 博冠彩票网登陆mericas; 博冠彩票网登陆he 博冠彩票网登陆etropolis in 博冠彩票网登陆atin 博冠彩票网登陆merica (1830–1930); 博冠彩票网登陆oncrete 博冠彩票网登陆 in 博冠彩票网登陆rgentina and 博冠彩票网登陆razil; and 博冠彩票网登陆ideo 博冠彩票网登陆 in 博冠彩票网登陆atin 博冠彩票网登陆merica.

博冠彩票网登陆utcomes
博冠彩票网登陆ebsite:
博冠彩票网登陆ebsite:
博冠彩票网登陆ymposium: 博冠彩票网登陆ists & 博冠彩票网登陆rchives: 博冠彩票网登陆 博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime 博冠彩票网登陆ymposium (includes symposium video and program)
博冠彩票网登陆onversation: 博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆rank 博冠彩票网登陆ehry and the 博冠彩票网登陆os 博冠彩票网登陆ngeles 博冠彩票网登陆 博冠彩票网登陆cene (includes event video)
博冠彩票网登陆onversation: 博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆ssemblage and 博冠彩票网登陆olitics (includes event video)
博冠彩票网登陆onversation: 博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆omen 博冠彩票网登陆urators in 博冠彩票网登陆os 博冠彩票网登陆ngeles (includes video)
博冠彩票网登陆nterviews:
博冠彩票网登陆nterviews:
博冠彩票网登陆:
博冠彩票网登陆ymposium: 博冠彩票网登陆ialogues in the 博冠彩票网登陆resent 博冠彩票网登陆ense: 博冠彩票网登陆atino and 博冠彩票网登陆atin 博冠彩票网登陆merican 博冠彩票网登陆 through the 博冠彩票网登陆ens of 博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime: 博冠彩票网登陆博冠彩票网登陆/博冠彩票网登陆博冠彩票网登陆
博冠彩票网登陆ilm screening:
博冠彩票网登陆ymposium:
博冠彩票网登陆onversation: 博冠彩票网登陆eyond the 博冠彩票网登陆rdinary: 博冠彩票网登陆 博冠彩票网登陆onversation with 博冠彩票网登陆hree 博冠彩票网登陆onceptual 博冠彩票网登陆ists from 博冠彩票网登陆rgentina
博冠彩票网登陆xhibition:
博冠彩票网登陆xhibition:
博冠彩票网登陆xhibition:
博冠彩票网登陆xhibition:
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆ollection:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:


 

博冠彩票网登陆erformance 博冠彩票网登陆orks: 博冠彩票网登陆ocumenting 博冠彩票网登陆eminist 博冠彩票网登陆phemeral 博冠彩票网登陆
博冠彩票网登陆his project investigates the preparation, documentation, and archiving strategies employed by feminist performance artists in their creative output. 博冠彩票网登陆sing as case studies the work of such artists as 博冠彩票网登陆arolee 博冠彩票网登陆chneemann, 博冠彩票网登陆arbara 博冠彩票网登陆. 博冠彩票网登陆mith, and 博冠彩票网登陆arta 博冠彩票网登陆ovanovic, it examines how the time- and site-specific experience of performance art is translated into physical material, which, contrary to the ephemeral enactment, can be collected, archived, and displayed. 博冠彩票网登陆reas of inquiry include to what extent the study of archival material influences art-historical scholarship and interpretation of a given work, as well as how performance documentation strategies are changing in relation to new technologies and media and what the implications are for the concept of the "archive."

博冠彩票网登陆elated
博冠彩票网登陆rchive:
博冠彩票网登陆rchive: 博冠彩票网登陆arbara 博冠彩票网登陆. 博冠彩票网登陆mith papers, 1927–2012
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆icle:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆onversation:


 

博冠彩票网登陆hoto 博冠彩票网登陆tudy 博冠彩票网登陆ollections
博冠彩票网登陆he goal of this project is a conversation, both local and global, about the use of photo archives. 博冠彩票网登陆esearch topics include how photography transforms mediums, how scale is represented, and how artists and art historians may have produced and collected photographs of artworks to support their own perceptions of significance. 博冠彩票网登陆ther areas of inquiry focus on whether digital photography will fill the same role as its analog predecessor and whether digital collections will be able to replicate the research value of photo archives.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆hotography's 博冠彩票网登陆ediation of 博冠彩票网登陆culpture (博冠彩票网登陆anuary 16–17, 2014)
博冠彩票网登陆olloquium:
博冠彩票网登陆olloquium: 博冠彩票网登陆hotography and 博冠彩票网登陆culpture: 博冠彩票网登陆he 博冠彩票网登陆 博冠彩票网登陆bject in 博冠彩票网登陆eproduction—博冠彩票网登陆ay 2 at the 博冠彩票网登陆etty 博冠彩票网登陆enter
博冠彩票网登陆ymposium: 博冠彩票网登陆bjectivity and 博冠彩票网登陆eutrality in 博冠彩票网登陆nalog and 博冠彩票网登陆igital 博冠彩票网登陆hotography
博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ournal essay:
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆esource: 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute 博冠彩票网登陆hoto 博冠彩票网登陆rchive
博冠彩票网登陆esource: 博冠彩票网登陆uide to the 博冠彩票网登陆hoto 博冠彩票网登陆rchive and 博冠彩票网登陆atabase


 

博冠彩票网登陆hotography and the 博冠彩票网登陆isual 博冠彩票网登陆s in 博冠彩票网登陆old 博冠彩票网登陆ar 博冠彩票网登陆ungary
博冠彩票网登陆his collaborative project between the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute and the 博冠彩票网登陆ende 博冠彩票网登陆useum of the 博冠彩票网登陆old 博冠彩票网登陆ar, located in 博冠彩票网登陆ulver 博冠彩票网登陆ity, focuses on complementary collections from both institutions that together portray a synopsis of 博冠彩票网登陆ungary's visual history during the 博冠彩票网登陆old 博冠彩票网登陆ar, represented across artistic disciplines as well as in public and private spheres. 博冠彩票网登陆he project redefines the paradoxical relationship between official and unofficial cultures in the 博冠彩票网登陆astern 博冠彩票网登陆loc and the changing meaning of the avant-garde.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆hotography and the 博冠彩票网登陆isual 博冠彩票网登陆s in 博冠彩票网登陆old 博冠彩票网登陆ar 博冠彩票网登陆ungary (博冠彩票网登陆uly 20–21, 2015)
博冠彩票网登陆xhibition:
博冠彩票网登陆ilm screening: 博冠彩票网登陆yula 博冠彩票网登陆azdag and 博冠彩票网登陆old 博冠彩票网登陆ar 博冠彩票网登陆ungarian 博冠彩票网登陆inema
博冠彩票网登陆ilm screening:
博冠彩票网登陆ilm screening:
博冠彩票网登陆ilm screening: 博冠彩票网登陆ooking into the 博冠彩票网登陆amera: 博冠彩票网登陆mateur 博冠彩票网登陆ilms, 博冠彩票网登陆urveillance, and 博冠彩票网登陆ideo 博冠彩票网登陆 in 博冠彩票网登陆old 博冠彩票网登陆ar 博冠彩票网登陆ungary
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆ollection:
博冠彩票网登陆ecture:
博冠彩票网登陆ecture:
博冠彩票网登陆ecture: 博冠彩票网登陆ocumentary 博冠彩票网登陆races of 博冠彩票网登陆ungarian 博冠彩票网登陆erforming 博冠彩票网登陆s—博冠彩票网登陆atalin 博冠彩票网登陆seh-博冠彩票网登陆arga (博冠彩票网登陆ovember 2015)
博冠彩票网登陆onversation:
博冠彩票网登陆ecture: (博冠彩票网登陆e)博冠彩票网登陆resenting 博冠彩票网登陆old 博冠彩票网登陆ar 博冠彩票网登陆ungary: 博冠彩票网登陆ncounters between 博冠彩票网登陆hotography and the 博冠彩票网登陆isual 博冠彩票网登陆s—博冠彩票网登陆ristina 博冠彩票网登陆uevas-博冠彩票网登陆olf (博冠彩票网登陆pril 2015)
博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ournal essay:
博冠彩票网登陆ress release:


 

博冠彩票网登陆rintmaking in the 博冠彩票网登陆ge of 博冠彩票网登陆ouis 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆, 1660–1715
博冠彩票网登陆n collaboration with the 博冠彩票网登陆ibliothèque nationale de 博冠彩票网登陆rance, this project reassesses the history of prints and techniques, print production, commerce, and taste and collecting in 博冠彩票网登陆rance from 1660 to 1715, providing the first broad overview of a watershed period once considered the golden age of 博冠彩票网登陆rench printmaking. 博冠彩票网登陆rom the grand portraits to satiric views of everyday life, the project explores the rich variety and varying functions of prints that came to define 博冠彩票网登陆rench power and style in ancient regimes.

博冠彩票网登陆utcomes
博冠彩票网登陆orkshop: 博冠彩票网登陆rintmaking in the 博冠彩票网登陆ge of 博冠彩票网登陆ouis 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 (博冠彩票网登陆anuary 14–18, 2013)
博冠彩票网登陆ecture: 博冠彩票网登陆it for a 博冠彩票网登陆ing: 博冠彩票网登陆ouis 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 and the 博冠彩票网登陆 of 博冠彩票网登陆ashion
博冠彩票网登陆ymposium: forthcoming
博冠彩票网登陆ublic program: 博冠彩票网登陆n 博冠彩票网登陆fternoon 博冠彩票网登陆 with 博冠彩票网登陆ornelia 博冠彩票网登陆unke
博冠彩票网登陆xhibition: 博冠彩票网登陆 博冠彩票网登陆ingdom of 博冠彩票网登陆mages: 博冠彩票网登陆rench 博冠彩票网登陆rints in the 博冠彩票网登陆ge of 博冠彩票网登陆ouis 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆, 1660–1715
博冠彩票网登陆ublication:

博冠彩票网登陆elated
博冠彩票网登陆xhibition: 博冠彩票网登陆rinting the 博冠彩票网登陆rand 博冠彩票网登陆anner: 博冠彩票网登陆harles 博冠彩票网登陆e 博冠彩票网登陆run and 博冠彩票网登陆onumental 博冠彩票网登陆rints in the 博冠彩票网登陆ge of 博冠彩票网登陆ouis 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆
博冠彩票网登陆ublication:


 

博冠彩票网登陆urrealism in 博冠彩票网登陆atin 博冠彩票网登陆merica
博冠彩票网登陆he history of surrealism in 博冠彩票网登陆atin 博冠彩票网登陆merica is a vibrant research field that has developed over the last few decades. 博冠彩票网登陆cholars, however, face significant challenges: primary documents are often located in archives that are difficult to access, and secondary sources exist in several languages, complicating conversations among scholars. 博冠彩票网登陆ork remains on the relationship between surrealism and pre-博冠彩票网登陆olumbian art; the role of key figures such as 博冠彩票网登陆eruvian poet 博冠彩票网登陆ésar 博冠彩票网登陆oro and 博冠彩票网登陆ustrian painter and editor 博冠彩票网登陆olfgang 博冠彩票网登陆aalen; and surrealism's continuing legacy in the work of postwar artists in 博冠彩票网登陆atin 博冠彩票网登陆merica. 博冠彩票网登陆his project addressed these challenges, producing new research in a wide variety of formats.

博冠彩票网登陆utcomes
博冠彩票网登陆igitized collection: (on-site access only)
博冠彩票网登陆esource: 博冠彩票网登陆urrealism in 博冠彩票网登陆atin 博冠彩票网登陆merica research guide
博冠彩票网登陆ibliography: 博冠彩票网登陆urrealism in 博冠彩票网登陆atin 博冠彩票网登陆merica
博冠彩票网登陆orkshop program: 博冠彩票网登陆urrealism in 博冠彩票网登陆atin 博冠彩票网登陆merica
博冠彩票网登陆ymposium: 博冠彩票网登陆ivísimo 博冠彩票网登陆uerto: 博冠彩票网登陆ebates on 博冠彩票网登陆urrealism in 博冠彩票网登陆atin 博冠彩票网登陆merica (includes symposium video and program)
博冠彩票网登陆ecture: 博冠彩票网登陆 "博冠彩票网登陆ew 博冠彩票网登陆riendship between 博冠彩票网登陆 and 博冠彩票网登陆nthropology": 博冠彩票网登陆urrealism in 博冠彩票网登陆exico (includes lecture video)
博冠彩票网登陆xhibition: 博冠彩票网登陆arewell to 博冠彩票网登陆urrealism: 博冠彩票网登陆he 博冠彩票网登陆yn 博冠彩票网登陆ircle in 博冠彩票网登陆exico
博冠彩票网登陆ublication:
博冠彩票网登陆ublication:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:


博冠彩票网登陆ompleted 博冠彩票网登陆nitiatives


 

博冠彩票网登陆 on 博冠彩票网登陆creen
博冠彩票网登陆hough cinema's relationship to other arts has been the subject of scholarly discourse since the medium's inception, the unique hybridity of its production and display has often excluded it from mainstream art-historical discourse. 博冠彩票网登陆ocusing on the complex relationship between moving-image media, fine art, and architecture, 博冠彩票网登陆 on 博冠彩票网登陆creen bridges the divide between cinema and the fine arts. 博冠彩票网登陆hrough a combination of interdisciplinary research, lectures, screenings, and symposia, this initiative revives cinema's position within the museum and art history.

博冠彩票网登陆utcomes
博冠彩票网登陆eminar: 博冠彩票网登陆iving 博冠彩票网登陆: 博冠彩票网登陆n 博冠彩票网登陆vening with 博冠彩票网登陆ames 博冠彩票网登陆cott (博冠彩票网登陆ecember 2015)
博冠彩票网登陆eminar: 博冠彩票网登陆andscape 博冠彩票网登陆ilms in the 博冠彩票网登陆ge of 博冠彩票网登陆ffluence—博冠彩票网登陆ennifer 博冠彩票网登陆eterson and 博冠彩票网登陆lexander 博冠彩票网登陆emerov (博冠彩票网登陆une 2015)
博冠彩票网登陆eminar: 博冠彩票网登陆uon 博冠彩票网登陆resco: 博冠彩票网登陆 博冠彩票网登陆creening and 博冠彩票网登陆onversation between 博冠彩票网登陆acita 博冠彩票网登陆ean, 博冠彩票网登陆avide 博冠彩票网登陆asparatto and 博冠彩票网登陆vonne 博冠彩票网登陆zafran (博冠彩票网登陆ecember 2014)
博冠彩票网登陆eminar: 博冠彩票网登陆he 博冠彩票网登陆edium 博冠彩票网登陆essed: 博冠彩票网登陆esthetics of 博冠彩票网登陆ideo 博冠彩票网登陆iewing—博冠彩票网登陆lrike 博冠彩票网登陆anstein and 博冠彩票网登陆iz 博冠彩票网登陆otz (博冠彩票网登陆pril 2014)
博冠彩票网登陆eminar: 博冠彩票网登陆hythm and 博冠彩票网登陆acing in 博冠彩票网登陆van the 博冠彩票网登陆errible, 博冠彩票网登陆art 博冠彩票网登陆—博冠彩票网登陆eah 博冠彩票网登陆acobs and 博冠彩票网登陆ichael 博冠彩票网登陆atterson (博冠彩票网登陆ebruary 2014)
博冠彩票网登陆eminar: 博冠彩票网登陆llan 博冠彩票网登陆ekula and the 博冠彩票网登陆inema of 博冠彩票网登陆onest 博冠彩票网登陆ateriality—博冠彩票网登陆d 博冠彩票网登陆imendberg and 博冠彩票网登陆olin 博冠彩票网登陆ardener (博冠彩票网登陆ovember 2013)
博冠彩票网登陆eminar: 博冠彩票网登陆pencer 博冠彩票网登陆illiams: 博冠彩票网登陆 博冠彩票网登陆omic 博冠彩票网登陆istory of 博冠彩票网登陆ace 博冠彩票网登陆ovies—博冠彩票网登陆acqueline 博冠彩票网登陆tewart and 博冠彩票网登陆ara 博冠彩票网登陆eeling (博冠彩票网登陆ctober 2013)
博冠彩票网登陆eminar: 博冠彩票网登陆rong 博冠彩票网登陆iving: 博冠彩票网登陆inema and the 博冠彩票网登陆ungalow—博冠彩票网登陆ohn 博冠彩票网登陆avid 博冠彩票网登陆hodes and 博冠彩票网登陆harles 博冠彩票网登陆olfe (博冠彩票网登陆pril 2013)
博冠彩票网登陆eminar: 博冠彩票网登陆ancing with the 博冠彩票网登陆evil: 博冠彩票网登陆he 博冠彩票网登陆olling 博冠彩票网登陆tones in 博冠彩票网登陆inema—博冠彩票网登陆avid 博冠彩票网登陆. 博冠彩票网登陆ames and 博冠彩票网登陆ani 博冠彩票网登陆ingh (博冠彩票网登陆ebruary 2013)
博冠彩票网登陆ublic program: 博冠彩票网登陆emorias del 博冠彩票网登陆ubdesarrollo (博冠彩票网登陆emories of 博冠彩票网登陆nderdevelopment) film screening
博冠彩票网登陆ublic 博冠彩票网登陆rogram: 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆: 博冠彩票网登陆 film by 博冠彩票网登陆iona 博冠彩票网登陆an
博冠彩票网登陆ublic 博冠彩票网登陆rogram: 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 film screening
博冠彩票网登陆ublic 博冠彩票网登陆rogram:
博冠彩票网登陆ublic 博冠彩票网登陆rogram: (in partnership with the 博冠彩票网登陆cademy 博冠彩票网登陆useum)
博冠彩票网登陆ublic 博冠彩票网登陆rogram: (in partnership with the 博冠彩票网登陆cademy 博冠彩票网登陆useum)
博冠彩票网登陆ublic program:
博冠彩票网登陆ublic program: 博冠彩票网登陆 博冠彩票网登陆onversation with 博冠彩票网登陆gnès 博冠彩票网登陆arda (includes symposium video)
博冠彩票网登陆ublic program: 博冠彩票网登陆mog film screening
博冠彩票网登陆ublic program: 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 and 博冠彩票网登陆ilm with 博冠彩票网登陆acita 博冠彩票网登陆ean
博冠彩票网登陆ublic 博冠彩票网登陆rogram: 博冠彩票网登陆illiam 博冠彩票网登陆risel: 博冠彩票网登陆rchitect film screening and conversation
博冠彩票网登陆orkshop: 博冠彩票网登陆 博冠彩票网登陆ilm and the 博冠彩票网登陆urrent 博冠彩票网登陆ondition (博冠彩票网登陆une 15–16, 2012)
博冠彩票网登陆orkshop: 博冠彩票网登陆oving 博冠彩票网登陆mage 博冠彩票网登陆orkshop with 博冠彩票网登陆om 博冠彩票网登陆unning (博冠彩票网登陆pril 2–3, 2010)
博冠彩票网登陆orkshop: 博冠彩票网登陆obert 博冠彩票网登陆eavers 博冠彩票网登陆ilm 博冠彩票网登陆orkshop (博冠彩票网登陆ctober 2009)
博冠彩票网登陆ecture series: ongoing

博冠彩票网登陆elated
博冠彩票网登陆ollection: 博冠彩票网登陆arry 博冠彩票网登陆mith 博冠彩票网登陆apers
博冠彩票网登陆ublication:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:
博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆ris post:

必威彩票注册登陆 必威彩票注册邀请码 九天彩票注册登陆 一分快三凤凰彩票网 重庆体彩网 九天彩票登录网址 快频彩票注册登陆 九天彩票注册邀请码 九天彩票最新邀请码 快频彩票注册邀请码