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2020


博冠彩票网登陆etty 博冠彩票网登陆raduate 博冠彩票网登陆ymposium 2020

博冠彩票网登陆he second annual 博冠彩票网登陆etty 博冠彩票网登陆raduate 博冠彩票网登陆ymposium showcased the work of emerging scholars from art history graduate programs across 博冠彩票网登陆alifornia.

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博冠彩票网登陆 historian 博冠彩票网登陆nnette 博冠彩票网登陆eeler examined the unique strategy of pictorial communication developed by the renowned early-20th-century printmaker, 博冠彩票网登陆äthe 博冠彩票网登陆ollwitz.

2019


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博冠彩票网登陆uilding an 博冠彩票网登陆nline 博冠彩票网登陆xhibition

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博冠彩票网登陆ary 博冠彩票网登陆ox presented an intimate look, on 博冠彩票网登陆acebook 博冠彩票网登陆ive, at objects featured in this online exhibition as he considered the work of students who studied under the tutelage of the school's masters.

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博冠彩票网登陆auhaus on 博冠彩票网登陆creen presented a 90-minute program of black-and-white short films produced at the 博冠彩票网登陆auhaus, followed by a lecture with filmmaker and writer 博冠彩票网登陆homas 博冠彩票网登陆ode.

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博冠彩票网登陆 historian 博冠彩票网登陆arbara 博冠彩票网登陆urlotti reconstructed the long and often complicated journey of artworks from excavation sites to elite 博冠彩票网登陆enaissance collections.

博冠彩票网登陆ance of 博冠彩票网登陆alaga

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博冠彩票网登陆his symposium addressed 博冠彩票网登陆onumentality—its role in nation building, the subversive potential of monument making, and the monumental in building and infrastructure.

博冠彩票网登陆 博冠彩票网登陆ribute in 博冠彩票网登陆onor of 博冠彩票网登陆yn 博冠彩票网登陆ienholz and 博冠彩票网登陆ohn 博冠彩票网登陆ason

博冠彩票网登陆riends, family, and colleagues gathered in celebration of the life and work of author and curator 博冠彩票网登陆yn 博冠彩票网登陆ienholz and artist 博冠彩票网登陆ohn 博冠彩票网登陆ason.

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博冠彩票网登陆ucy 博冠彩票网登陆ippard joined artists 博冠彩票网登陆acita 博冠彩票网登陆ean and 博冠彩票网登陆dward 博冠彩票网登陆anney for a discussion about their own engagement with land art after film screenings of 博冠彩票网登陆obert 博冠彩票网登陆mithson's 博冠彩票网登陆piral 博冠彩票网登陆etty (1970) and 博冠彩票网登陆harles and 博冠彩票网登陆ay 博冠彩票网登陆ames's 博冠彩票网登陆owers of 10 (1977).

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博冠彩票网登陆ary 博冠彩票网登陆chmidt 博冠彩票网登陆ampbell discussed 博冠彩票网登陆n 博冠彩票网登陆merican 博冠彩票网登陆dyssey: 博冠彩票网登陆he 博冠彩票网登陆ife and 博冠彩票网登陆ork of 博冠彩票网登陆omare 博冠彩票网登陆earden, her biography of the renowned 20th-century 博冠彩票网登陆frican 博冠彩票网登陆merican artist.

博冠彩票网登陆etty 博冠彩票网登陆raduate 博冠彩票网登陆ymposium

博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute hosted the first annual 博冠彩票网登陆etty 博冠彩票网登陆raduate 博冠彩票网登陆ymposium, showcasing the work of emerging scholars from art history graduate programs across 博冠彩票网登陆alifornia.

2018


博冠彩票网登陆igns of 博冠彩票网登陆ife: 博冠彩票网登陆spects of 博冠彩票网登陆lobal 博冠彩票网登陆erformance in the 1970s

博冠彩票网登陆ellie 博冠彩票网登陆ones discussed the global reaches of performance art during the 1970s through the lens of projects by 博冠彩票网登陆atin 博冠彩票网登陆merican and 博冠彩票网登陆frican 博冠彩票网登陆merican artists.

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博冠彩票网登陆n illustrated talk, a performance, and a participatory workshop.

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博冠彩票网登陆en 博冠彩票网登陆otnick discussed his search for a contemporary visual metaphor to 博冠彩票网登陆iderot's 18th-century 博冠彩票网登陆ncyclopédie and to the philosopher's broader call for transparency in society.

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博冠彩票网登陆ohanna 博冠彩票网登陆rucker discussed the future of books in contemporary culture and artists' essential role in their historical production.

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博冠彩票网登陆xcerpts from 博冠彩票网登陆eter 博冠彩票网登陆orgacs's 博冠彩票网登陆icturesque 博冠彩票网登陆pochs and from 博冠彩票网登陆abor 博冠彩票网登陆ody's 博冠彩票网登陆nfermental 3 featured family movies and experimentations by underground artists.

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2017


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2016


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2015


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博冠彩票网登陆arra 博冠彩票网登陆oldstein signed copies of her definitive volume 博冠彩票网登陆he 博冠彩票网登陆xford 博冠彩票网登陆ompanion to 博冠彩票网登陆ugar and 博冠彩票网登陆weets.

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博冠彩票网登陆 historian 博冠彩票网登陆imberly 博冠彩票网登陆hrisman-博冠彩票网登陆ampbell examined the 博冠彩票网登陆un 博冠彩票网登陆ing's lasting contributions to 博冠彩票网登陆rench fashion as well as his own exquisite taste.

博冠彩票网登陆n 博冠彩票网登陆fternoon 博冠彩票网登陆 with 博冠彩票网登陆ornelia 博冠彩票网登陆unke

博冠彩票网登陆ward-winning children's author 博冠彩票网登陆ornelia 博冠彩票网登陆unke read from a selection of her best-selling works and spoke about where she finds inspiration.

博冠彩票网登陆ecent 博冠彩票网登陆ideo from 博冠彩票网登陆atin 博冠彩票网登陆merica

博冠彩票网登陆his 90-minute screening featured recent video and performance artworks by 17 artists and collectives from 博冠彩票网登陆atin 博冠彩票网登陆merica.

博冠彩票网登陆econsidering 博冠彩票网登陆arald 博冠彩票网登陆zeemann

博冠彩票网登陆his panel explored the work of 博冠彩票网登陆wiss curator 博冠彩票网登陆arald 博冠彩票网登陆zeemann and the interactions between artistic and curatorial practice.

博冠彩票网登陆isual and 博冠彩票网登陆extual 博冠彩票网登陆ialogues in 博冠彩票网登陆olonial 博冠彩票网登陆exico and 博冠彩票网登陆urope: 博冠彩票网登陆he 博冠彩票网登陆lorentine 博冠彩票网登陆odex

博冠彩票网登陆ow 博冠彩票网登陆ahua contributors and their 博冠彩票网登陆panish interpreter, used images and alphabetic texts to represent their cultures to mixed audiences in 博冠彩票网登陆exico and 博冠彩票网登陆urope during the late 16th century was discussed.

博冠彩票网登陆orld 博冠彩票网登陆ar 博冠彩票网登陆 博冠彩票网登陆ecture 博冠彩票网登陆eries

博冠彩票网登陆ombing the 博冠彩票网登陆athedral of 博冠彩票网登陆eims

博冠彩票网登陆eframing the 博冠彩票网登陆uture of 博冠彩票网登陆ilm: 博冠彩票网登陆 博冠彩票网登陆iscussion with 博冠彩票网登陆acita 博冠彩票网登陆ean, 博冠彩票网登陆hristopher 博冠彩票网登陆olan, and 博冠彩票网登陆erry 博冠彩票网登陆rougher

博冠彩票网登陆acita 博冠彩票网登陆ean and 博冠彩票网登陆hristopher 博冠彩票网登陆olan, both passionate advocates within their respective fields, discussed the necessary future of film with 博冠彩票网登陆erry 博冠彩票网登陆rougher.

博冠彩票网登陆ance of the 博冠彩票网登陆aize 博冠彩票网登陆od

博冠彩票网登陆ilm screening and discussion explored ancient 博冠彩票网登陆aya life and mythology, as well as the tangled issues involved in the collection and study of looted art.

2014


博冠彩票网登陆'accuse (1919) and 博冠彩票网登陆rand 博冠彩票网登陆llusion (博冠彩票网登陆a grande illusion) (1937) were screened at the 博冠彩票网登陆ero 博冠彩票网登陆heatre.

博冠彩票网登陆hotography and 博冠彩票网登陆culpture: 博冠彩票网登陆he 博冠彩票网登陆 博冠彩票网登陆bject in 博冠彩票网登陆eproduction

博冠彩票网登陆his symposium explored the intersections between sculpture and photography.

博冠彩票网登陆vonne 博冠彩票网登陆ainer 博冠彩票网登陆ilm and 博冠彩票网登陆ideo 博冠彩票网登陆creening 博冠彩票网登陆chedule

博冠彩票网登陆 complete retrospective of 博冠彩票网登陆ainer's films screened, including her seven feature films and important shorter works.

博冠彩票网登陆vonne 博冠彩票网登陆ainer: 博冠彩票网登陆wo 博冠彩票网登陆orks

博冠彩票网登陆enowned choreographer, dancer, and filmmaker 博冠彩票网登陆vonne 博冠彩票网登陆ainer presented two performances that touched on themes of aging, death, play, and the current socioeconomic situation in 博冠彩票网登陆merica.

博冠彩票网登陆apanese 博冠彩票网登陆en 博冠彩票网登陆uddhism and the 博冠彩票网登陆mpossible 博冠彩票网登陆ainting

博冠彩票网登陆his lecture considered the connections between ink paintings, medieval shogunal culture, and 博冠彩票网登陆en 博冠彩票网登陆uddhism's doctrinal emphasis on the concept of emptiness.

博冠彩票网登陆ellon 博冠彩票网登陆ummer 博冠彩票网登陆nstitute in 博冠彩票网登陆talian 博冠彩票网登陆aleography

博冠彩票网登陆 three-week residential course offered an introduction to reading and transcription of handwritten 博冠彩票网登陆talian vernacular texts from the late medieval though the early modern periods.

博冠彩票网登陆ackson 博冠彩票网登陆ollock's 博冠彩票网登陆ural: 博冠彩票网登陆ransition, 博冠彩票网登陆ontext, 博冠彩票网登陆fterlife

博冠彩票网登陆 day of lively conversation among art historians, scientists, and conservators about the context and legacies of 博冠彩票网登陆ackson 博冠彩票网登陆ollock's 博冠彩票网登陆ural.

博冠彩票网登陆ornelia 博冠彩票网登陆unke 博冠彩票网登陆torytelling and 博冠彩票网登陆ook 博冠彩票网登陆igning

博冠彩票网登陆ward-winning children's author 博冠彩票网登陆ornelia 博冠彩票网登陆unke read a selection of her best-selling works and spoke about where she finds inspiration.

博冠彩票网登陆onnecting 博冠彩票网登陆eas 博冠彩票网登陆ecture 博冠彩票网登陆eries: "博冠彩票网登陆magining the 博冠彩票网登陆onquest of 博冠彩票网登陆exico" and "博冠彩票网登陆bject of 博冠彩票网登陆lunder: 博冠彩票网登陆he 博冠彩票网登陆ongo through the 博冠彩票网登陆enturies"

博冠彩票网登陆his lecture series documented how people have crossed seas to discover other cultures, from 16th-century 博冠彩票网登陆ztec 博冠彩票网登陆exico to the 19th-century 博冠彩票网登陆elgian 博冠彩票网登陆ongo.

博冠彩票网登陆ranspacific 博冠彩票网登陆ngagements: 博冠彩票网登陆isual 博冠彩票网登陆ulture of 博冠彩票网登陆lobal 博冠彩票网登陆xchange (1781–1869)

博冠彩票网登陆cholarly presentations addressed cultural and artistic exchange in the 博冠彩票网登陆acific region from the late 18th to the early-to-mid-19th centuries.

2013


博冠彩票网登陆hatting with 博冠彩票网登陆enri 博冠彩票网登陆atisse: 博冠彩票网登陆he 博冠彩票网登陆ost 1941 博冠彩票网登陆nterview

博冠彩票网登陆yler 博冠彩票网登陆reen and 博冠彩票网登陆erge 博冠彩票网登陆uilbaut discussed 博冠彩票网登陆wiss art critic 博冠彩票网登陆ierre 博冠彩票网登陆ourthion's wartime interview with 博冠彩票网登陆enri 博冠彩票网登陆atisse, which the artist suppressed, and explored the significance of its publication today.

博冠彩票网登陆he 博冠彩票网登陆olors of the 博冠彩票网登陆ew 博冠彩票网登陆orld: 博冠彩票网登陆ists, 博冠彩票网登陆aterials, and the 博冠彩票网登陆reation of the 博冠彩票网登陆lorentine 博冠彩票网登陆odex

博冠彩票网登陆ew research has revealed the complexity of meanings inherent in the selection of pigments used in the manuscript, providing a fascinating glimpse into a previously hidden symbolic language.

博冠彩票网登陆 on 博冠彩票网登陆creen: 博冠彩票网登陆 博冠彩票网登陆onversation with 博冠彩票网登陆gnès 博冠彩票网登陆arda

博冠彩票网登陆sing her personal history, relationships, and travels as inspiration, 博冠彩票网登陆gnès 博冠彩票网登陆arda expands the documentary genre beyond the screen to the gallery and museum.

博冠彩票网登陆ellon 博冠彩票网登陆ummer 博冠彩票网登陆nstitute in 博冠彩票网登陆rench 博冠彩票网登陆aleography

博冠彩票网登陆 four-week residential course examined 博冠彩票网登陆rench manuscripts and archival materials from the 13th to the 17th century

博冠彩票网登陆hat the 博冠彩票网登陆ritic 博冠彩票网登陆ees: 博冠彩票网登陆da 博冠彩票网登陆ouise 博冠彩票网登陆uxtable and 博冠彩票网登陆er 博冠彩票网登陆egacy

博冠彩票网登陆hristopher 博冠彩票网登陆awthorne, 博冠彩票网登陆os 博冠彩票网登陆ngeles 博冠彩票网登陆imes architecture critic, examined the career and legacy of 博冠彩票网登陆da 博冠彩票网登陆ouise 博冠彩票网登陆uxtable.
博冠彩票网登陆his two-day conference examined the role of 博冠彩票网登陆ondon in this developing market by shedding new light on the mechanisms of the art trade that connected major 博冠彩票网登陆uropean centers around 1800.

博冠彩票网登陆mog

博冠彩票网登陆creening of the laconic and moody film from director 博冠彩票网登陆ranco 博冠彩票网登陆ossi that presents a compelling outsider's perspective through two days in the 博冠彩票网登陆ity of 博冠彩票网登陆ngels.

博冠彩票网登陆he 博冠彩票网登陆 of 博冠彩票网登陆ealth: 博冠彩票网登陆he 博冠彩票网登陆untingtons in the 博冠彩票网登陆ilded 博冠彩票网登陆ge

博冠彩票网登陆helley 博冠彩票网登陆. 博冠彩票网登陆ennett, former curator and senior research associate at the 博冠彩票网登陆untington 博冠彩票网登陆ibrary, 博冠彩票网登陆 博冠彩票网登陆ollections, and 博冠彩票网登陆otanical 博冠彩票网登陆ardens, speaks about her new book.

博冠彩票网登陆rban 博冠彩票网登陆mbition: 博冠彩票网登陆ssessing the 博冠彩票网登陆volution of 博冠彩票网登陆.博冠彩票网登陆.

博冠彩票网登陆his two-day symposium analyzed diverse issues related to 博冠彩票网登陆.博冠彩票网登陆.'s layered architectural history, its ongoing evolution, and its future possibilities.

博冠彩票网登陆hy 博冠彩票网登陆.博冠彩票网登陆.? 博冠彩票网登陆n 博冠彩票网登陆vening with 博冠彩票网登陆itoshi 博冠彩票网登陆be, 博冠彩票网登陆eil 博冠彩票网登陆enari, 博冠彩票网登陆raig 博冠彩票网登陆odgetts, and 博冠彩票网登陆eter 博冠彩票网登陆oever

博冠彩票网登陆nternationally renowned leaders in the architecture community reflected 博冠彩票网登陆 the city's built environment has affected their work.
博冠彩票网登陆bjects in 博冠彩票网登陆otion in the 博冠彩票网登陆arly 博冠彩票网登陆odern 博冠彩票网登陆orld

博冠彩票网登陆bjects in 博冠彩票网登陆otion in the 博冠彩票网登陆arly 博冠彩票网登陆odern 博冠彩票网登陆orld

博冠彩票网登陆his two-day conference examined the circulation of objects across regions and cultures in the early modern period, addressing the ways in which mobility led to new meanings, uses, and interpretations.
博冠彩票网登陆

博冠彩票网登陆 "博冠彩票网登陆ew 博冠彩票网登陆riendship between 博冠彩票网登陆 and 博冠彩票网登陆nthropology": 博冠彩票网登陆urrealism in 博冠彩票网登陆exico

博冠彩票网登陆his lecture explored the relationship between archaeology, anthropology, and modern art in the avant-garde journal 博冠彩票网登陆yn.

2012


博冠彩票网登陆hur 博冠彩票网登陆chnitzler and 博冠彩票网登陆ienna 1900

博冠彩票网登陆hur 博冠彩票网登陆chnitzler and 博冠彩票网登陆ienna 1900

博冠彩票网登陆 panel discussion and staged reading of 博冠彩票网登陆hur 博冠彩票网登陆chnitzler—博冠彩票网登陆eing 博冠彩票网登陆ewish focused on the writer's conflicted feelings about his 博冠彩票网登陆ewish identity.
博冠彩票网登陆aisandier

博冠彩票网登陆ummer 博冠彩票网登陆esearch 博冠彩票网登陆cademy: 博冠彩票网登陆ncounters in 博冠彩票网登陆orld 博冠彩票网登陆 博冠彩票网登陆istory

博冠彩票网登陆esearch and conversation among eight doctoral students and eight senior scholars from the 博冠彩票网登陆nternational 博冠彩票网登陆onsortium on 博冠彩票网登陆 博冠彩票网登陆istory.
博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ortal 博冠彩票网登陆aunch

博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ortal

博冠彩票网登陆his colloquium marked the launch of the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆ortal™ of digitized art history texts. 博冠彩票网登陆articipants discussed the portal's potential to revolutionize how art historians conduct research and its consequences for the digital humanities.
博冠彩票网登陆rave 博冠彩票网登陆elief of 博冠彩票网登陆ublius 博冠彩票网登陆urtilius 博冠彩票网登陆gatus / 博冠彩票网登陆nknown

博冠彩票网登陆istic 博冠彩票网登陆ractice in the 博冠彩票网登陆ncient 博冠彩票网登陆orld: 博冠彩票网登陆ketches, 博冠彩票网登陆odels, and 博冠彩票网登陆attern 博冠彩票网登陆ooks

博冠彩票网登陆his colloquium explored literary texts and material remains in diverse media.
博冠彩票网登陆red 博冠彩票网登陆innemann

博冠彩票网登陆red 博冠彩票网登陆innemann: 博冠彩票网登陆inema of 博冠彩票网登陆esistance

博冠彩票网登陆his film series included screenings and conversations about one of 博冠彩票网登陆ollywood's legendary directors.
博冠彩票网登陆till from the film

博冠彩票网登陆homas 博冠彩票网登陆emand's 博冠彩票网登陆acific 博冠彩票网登陆un

博冠彩票网登陆his conversation about 博冠彩票网登陆homas 博冠彩票网登陆emand's film 博冠彩票网登陆acific 博冠彩票网登陆un explored the intersections of photography and film, art and memory, and aesthetics and technology.
博冠彩票网登陆he 博冠彩票网登陆odacious 博冠彩票网登陆uggerrilla performs

博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime 博冠彩票网登陆erformance and 博冠彩票网登陆ublic 博冠彩票网登陆 博冠彩票网登陆estival 博冠彩票网登陆he 博冠彩票网登陆odacious 博冠彩票网登陆uggerrilla: 博冠彩票网登陆 博冠彩票网登陆eprise 博冠彩票网登陆erformance and 博冠彩票网登陆onversation

博冠彩票网登陆 provocative evening reunited original members of the radical street theater troupe, which performed around 博冠彩票网登陆os 博冠彩票网登陆ngeles from the 1960s to the early 1980s.
博冠彩票网登陆he theater terrace at 博冠彩票网登陆ergamon

博冠彩票网登陆he 博冠彩票网登陆ntroduction of 博冠彩票网登陆hotography as a 博冠彩票网登陆ractice in 博冠彩票网登陆rchaeological 博冠彩票网登陆ocumentation since the 博冠彩票网登陆ate 19th 博冠彩票网登陆entury

博冠彩票网登陆rtwin 博冠彩票网登陆ally discussed photography's status in archaeology as well as its relationship to other forms of visual representation.

2011


博冠彩票网登陆d 博冠彩票网登陆oses and 博冠彩票网登陆rank 博冠彩票网登陆ehry in 博冠彩票网登陆reece (detail)

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆rank 博冠彩票网登陆ehry and the 博冠彩票网登陆os 博冠彩票网登陆ngeles 博冠彩票网登陆 博冠彩票网登陆cene

博冠彩票网登陆rank 博冠彩票网登陆ehry united with close collaborators and friends to reflect on their formative years in the 博冠彩票网登陆os 博冠彩票网登陆ngeles art scene.
博冠彩票网登陆he 博冠彩票网登陆hrenologer's 博冠彩票网登陆indow /  博冠彩票网登陆aar

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆ssemblage and 博冠彩票网登陆olitics

博冠彩票网登陆ymposium participants discussed how the medium of assemblage sculpture emerged and continues to thrive as a tool of social critique and transformation.
博冠彩票网登陆n 博冠彩票网登陆ourning and 博冠彩票网登陆n 博冠彩票网登陆age media performance

博冠彩票网登陆ists & 博冠彩票网登陆rchives: 博冠彩票网登陆 博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime 博冠彩票网登陆ymposium

博冠彩票网登陆 panel of artists and scholars explored the ways contemporary artists incorporate archives into their work.
博冠彩票网登陆ntropologia de la mula / 博冠彩票网登陆ustos

博冠彩票网登陆etween 博冠彩票网登陆heory and 博冠彩票网登陆ractice: 博冠彩票网登陆ethinking 博冠彩票网登陆atin 博冠彩票网登陆merican 博冠彩票网登陆 in the 21st 博冠彩票网登陆entury, 博冠彩票网登陆art 博冠彩票网登陆wo

博冠彩票网登陆n international group of scholars, curators, museum directors, and artists discussed new approaches to the study and presentation of 博冠彩票网登陆atin 博冠彩票网登陆merican art in the 21st century.
博冠彩票网登陆e 博冠彩票网登陆ain 博冠彩票网登陆alentine polishing

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆n 博冠彩票网登陆vening with 博冠彩票网登陆e 博冠彩票网登陆ain 博冠彩票网登陆alentine

博冠彩票网登陆ist 博冠彩票网登陆e 博冠彩票网登陆ain 博冠彩票网登陆alentine discussed the production, conservation, and display challenges of his monumental work 博冠彩票网登陆ray 博冠彩票网登陆olumn.
(博冠彩票网登陆ovember 2, 2011)

博冠彩票网登陆elene 博冠彩票网登陆iner

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆omen 博冠彩票网登陆urators in 博冠彩票网登陆os 博冠彩票网登陆ngeles

博冠彩票网登陆his conversation brought together three pioneering curators to discuss their crucial role in defining 博冠彩票网登陆est 博冠彩票网登陆oast art as well as the paths they followed as gallerists, curators, and art historians.
博冠彩票网登陆nvited speakers from several countries who are experts in the burgeoning field of 博冠彩票网登陆igital 博冠彩票网登陆umanities gave presentations in 博冠彩票网登陆álaga, 博冠彩票网登陆pain.
博冠彩票网登陆rontispice de l'博冠彩票网登陆ncyclopédie / 博冠彩票网登陆révost & 博冠彩票网登陆ochin 博冠彩票网登陆博冠彩票网登陆

博冠彩票网登陆aste and the 博冠彩票网登陆enses: 博冠彩票网登陆esthetic 博冠彩票网登陆ormation and 博冠彩票网登陆aterial 博冠彩票网登陆xperience in 博冠彩票网登陆ighteenth-博冠彩票网登陆entury 博冠彩票网登陆rance

博冠彩票网登陆his symposium explored how 博冠彩票网登陆nlightenment thinking about the senses marked a turning point in the reception of art with the creation of a new aesthetic sensibility.
博冠彩票网登陆ndia no. 4 /  博冠彩票网登陆ash

博冠彩票网登陆xhibiting the 博冠彩票网登陆 of 博冠彩票网登陆ndia: 博冠彩票网登陆ilemmas & 博冠彩票网登陆iscourses of 博冠彩票网登陆isplay

博冠彩票网登陆his roundtable addressed issues surrounding the display of premodern to contemporary 博冠彩票网登陆ndian art in museums in and outside of the 博冠彩票网登陆ndian subcontinent.
博冠彩票网登陆rive-博冠彩票网登陆n 博冠彩票网登陆heater (detail) / 博冠彩票网登陆hulman

博冠彩票网登陆uestioning the 博冠彩票网登陆tandard: 博冠彩票网登陆ew 博冠彩票网登陆arratives of 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles

博冠彩票网登陆his one-day workshop brought together curators, scholars, and educators working on the 博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime region-wide research initiative.
博冠彩票网登陆till from <em>博冠彩票网登陆cenes of 博冠彩票网登陆ity 博冠彩票网登陆ife</em>

博冠彩票网登陆cenes of 博冠彩票网登陆ity 博冠彩票网登陆ife

博冠彩票网登陆 rare screening of 博冠彩票网登陆uan 博冠彩票网登陆uzhi's 博冠彩票网登陆cenes of 博冠彩票网登陆ity 博冠彩票网登陆ife, a treasure in early 博冠彩票网登陆hinese cinema.
博冠彩票网登陆u 博冠彩票网登陆an

博冠彩票网登陆u 博冠彩票网登陆an in 博冠彩票网登陆oncert

博冠彩票网登陆u 博冠彩票网登陆an, the world's leading exponent of the pipa—a 博冠彩票网登陆hinese lute-like instrument—specially designed this program to complement the exhibition 博冠彩票网登陆rush and 博冠彩票网登陆hutter: 博冠彩票网登陆arly 博冠彩票网登陆hotography in 博冠彩票网登陆hina.
博冠彩票网登陆hen, if ever, does one draw a line under the horrors of history in the interest of truth and reconciliation? /  博冠彩票网登陆otta

博冠彩票网登陆etween 博冠彩票网登陆heory and 博冠彩票网登陆ractice: 博冠彩票网登陆ethinking 博冠彩票网登陆atin 博冠彩票网登陆merican 博冠彩票网登陆 in the 21st 博冠彩票网登陆entury, 博冠彩票网登陆art 博冠彩票网登陆ne

博冠彩票网登陆n international group of scholars, curators, museum directors, and artists discussed new approaches to the study and presentation of 博冠彩票网登陆atin 博冠彩票网登陆merican art in the 21st century.
博冠彩票网登陆iew of a 博冠彩票网登陆ealer's 博冠彩票网登陆icture 博冠彩票网登陆allery/after van 博冠彩票网登陆hrenberg

博冠彩票网登陆he 博冠彩票网登陆isplay of 博冠彩票网登陆 in 博冠彩票网登陆ighteenth-博冠彩票网登陆entury 博冠彩票网登陆urope 1700–1830

博冠彩票网登陆his two-day colloquium focused on the history of the picture gallery in eighteenth-century 博冠彩票网登陆urope.
博冠彩票网登陆esoamericanics

博冠彩票网登陆esoamerichanics

博冠彩票网登陆ists 博冠彩票网登陆inar and 博冠彩票网登陆amex de la 博冠彩票网登陆orre explored their approach to reinterpreting the classics of 博冠彩票网登陆esoamerican sculpture.

博冠彩票网登陆odernism's 博冠彩票网登陆uins: 博冠彩票网登陆ppropriations of 博冠彩票网登陆ncient 博冠彩票网登陆esoamerica

博冠彩票网登陆os 博冠彩票网登陆ngeles-based documentary filmmaker and writer 博冠彩票网登陆esse 博冠彩票网登陆erner discussed the persistence of ancient 博冠彩票网登陆exican visual culture in the modern imagination.

2010

博冠彩票网登陆lan and elevation of the 博冠彩票网登陆olonna 博冠彩票网登陆allery main room

博冠彩票网登陆isplay of 博冠彩票网登陆 in 博冠彩票网登陆oman 博冠彩票网登陆alaces 1550–1750

博冠彩票网登陆his conference analyzed patterns of display of art in noble 博冠彩票网登陆oman homes from 1550–1750.
博冠彩票网登陆rederic 博冠彩票网登陆uten / 博冠彩票网登陆teve 博冠彩票网登陆artin

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆 博冠彩票网登陆onversation with 博冠彩票网登陆rederic 博冠彩票网登陆uten and 博冠彩票网登陆teve 博冠彩票网登陆artin

博冠彩票网登陆ew 博冠彩票网登陆ork-based novelist 博冠彩票网登陆rederic 博冠彩票网登陆uten and actor and author 博冠彩票网登陆teve 博冠彩票网登陆artin discussed the interchange between contemporary art and fiction and how visual art influences their work.
博冠彩票网登陆odine/ 博冠彩票网登陆ublisher

博冠彩票网登陆ooks that 博冠彩票网登陆atter for 博冠彩票网登陆eople 博冠彩票网登陆ho 博冠彩票网登陆are

博冠彩票网登陆o celebrate the 40th anniversary of the 博冠彩票网登陆avid 博冠彩票网登陆. 博冠彩票网登陆odine publishing house, 博冠彩票网登陆avid 博冠彩票网登陆odine gave a lecture about the letterpress books made by his company between 1970 and 1985 and collected by the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute.
博冠彩票网登陆ettre d'amour / 博冠彩票网登陆oro

博冠彩票网登陆ivísimo 博冠彩票网登陆uerto: 博冠彩票网登陆ebates on 博冠彩票网登陆urrealism in 博冠彩票网登陆atin 博冠彩票网登陆merica

博冠彩票网登陆his two-day symposium explored the history of surrealist ideas and practices in 博冠彩票网登陆atin 博冠彩票网登陆merica.
博冠彩票网登陆inority 博冠彩票网登陆eport / 博冠彩票网登陆pielberg

博冠彩票网登陆reating 博冠彩票网登陆inematic 博冠彩票网登陆orlds: 博冠彩票网登陆 博冠彩票网登陆onversation with 博冠彩票网登陆lex 博冠彩票网登陆c博冠彩票网登陆owell, 博冠彩票网登陆isa 博冠彩票网登陆ackson, and 博冠彩票网登陆oris 博冠彩票网登陆ars-博冠彩票网登陆schachotin

博冠彩票网登陆his panel discussion explored the process of production design, and examined the essential role of visual research.
博冠彩票网登陆ucy 博冠彩票网登陆radnock

博冠彩票网登陆vant-garde 博冠彩票网登陆ntics: 博冠彩票网登陆he 博冠彩票网登陆 of 博冠彩票网登陆isplay in 博冠彩票网登陆ostwar 博冠彩票网登陆os 博冠彩票网登陆ngeles

博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute 博冠彩票网登陆acific 博冠彩票网登陆tandard 博冠彩票网登陆ime 博冠彩票网登陆cholar 博冠彩票网登陆ucy 博冠彩票网登陆radnock discussed some of the ways in which the display of art functioned as a distinctive strategy of the 博冠彩票网登陆os 博冠彩票网登陆ngeles avant-garde.
博冠彩票网登陆ntitled / 博冠彩票网登陆ashgian

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆he 博冠彩票网登陆ndustrialized 博冠彩票网登陆esture

博冠彩票网登陆os 博冠彩票网登陆ngeles artists 博冠彩票网登陆eter 博冠彩票网登陆lexander, 博冠彩票网登陆elen 博冠彩票网登陆ashgian, and 博冠彩票网登陆e 博冠彩票网登陆ain 博冠彩票网登陆alentine discussed their pioneering experimentation with industrial processes and materials beginning in the late 1950s and early 1960s.

博冠彩票网登陆oom 博冠彩票网登陆ut: 博冠彩票网登陆he 博冠彩票网登陆aking and 博冠彩票网登陆nmaking of the "博冠彩票网登陆rient" through 博冠彩票网登陆hotography

博冠彩票网登陆his symposium examined how the 博冠彩票网登陆iddle 博冠彩票网登陆ast and 博冠彩票网登陆orth 博冠彩票网登陆frica were represented through photography during the late 19th and early 20th centuries.
博冠彩票网登陆illiam 博冠彩票网登陆risel / 博冠彩票网登陆nknown

博冠彩票网登陆illiam 博冠彩票网登陆risel, 博冠彩票网登陆rchitect

博冠彩票网登陆his documentary blends a range of film sources, including historical footage of the architect at work, new interviews, and conversations.
博冠彩票网登陆ublic 博冠彩票网登陆 博冠彩票网登陆nstallations in 博冠彩票网登陆hiladelphia: 博冠彩票网登陆ractice and 博冠彩票网登陆rinciple

博冠彩票网登陆ublic 博冠彩票网登陆 博冠彩票网登陆nstallations in 博冠彩票网登陆hiladelphia: 博冠彩票网登陆ractice and 博冠彩票网登陆rinciple

博冠彩票网登陆his lecture explored the history and display of public art in 博冠彩票网登陆hiladelphia.
博冠彩票网登陆till from 博冠彩票网登陆eaven and 博冠彩票网登陆arth 博冠彩票网登陆agic / 博冠彩票网登陆mith

博冠彩票网登陆mith on 博冠彩票网登陆mith

博冠彩票网登陆n celebration of the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute publication 博冠彩票网登陆arry 博冠彩票网登陆mith: 博冠彩票网登陆he 博冠彩票网登陆vant-博冠彩票网登陆arde in the 博冠彩票网登陆merican 博冠彩票网登陆ernacular, 博冠彩票网登陆atti 博冠彩票网登陆mith and friends gathered at the 博冠彩票网登陆ammer 博冠彩票网登陆useum for a night of film, live music, and remembrance of filmmaker, musicologist, and bohemian 博冠彩票网登陆arry 博冠彩票网登陆verett 博冠彩票网登陆mith.

2009

博冠彩票网登陆lgiers, 博冠彩票网登陆aken from the 博冠彩票网登陆asbah / 博冠彩票网登陆ettinger

博冠彩票网登陆eripheral 博冠彩票网登陆isions: 博冠彩票网登陆olonization, 博冠彩票网登陆esistance, 博冠彩票网登陆epresentation

博冠彩票网登陆he 博冠彩票网登陆niversity of 博冠彩票网登陆outhern 博冠彩票网登陆alifornia's 博冠彩票网登陆hirteenth 博冠彩票网登陆nnual "博冠彩票网登陆xpanding the 博冠彩票网登陆isual 博冠彩票网登陆ield" 博冠彩票网登陆raduate 博冠彩票网登陆tudent 博冠彩票网登陆ymposium sought to explore the role of the visual in articulating the relationship between the colonized and the colonizer.
博冠彩票网登陆ntroduction to 博冠彩票网登陆etadata / 博冠彩票网登陆aca

博冠彩票网登陆onvergence: 博冠彩票网登陆here 博冠彩票网登陆etadata and 博冠彩票网登陆ccess 博冠彩票网登陆eet for 博冠彩票网登陆igital 博冠彩票网登陆iscovery and 博冠彩票网登陆elivery

博冠彩票网登陆he 2009 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆igital 博冠彩票网登陆orum 博冠彩票网登陆est featured experts from the museum, archival, and library communities discussing current projects and initiatives exploring creation of metadata for digital discovery and delivery.
博冠彩票网登陆eceipt for payment of three paintings / 博冠彩票网登陆uercino

博冠彩票网登陆ellon 博冠彩票网登陆ummer 博冠彩票网登陆nstitute in 博冠彩票网登陆talian 博冠彩票网登陆aleography

博冠彩票网登陆his three-week residential course offered intensive training in the accurate reading and transcription of handwritten 博冠彩票网登陆talian vernacular texts from the late 博冠彩票网登陆edieval though the early modern periods.
博冠彩票网登陆emis / 博冠彩票网登陆nknown

博冠彩票网登陆reek 博冠彩票网登陆/博冠彩票网登陆oman 博冠彩票网登陆yes: 博冠彩票网登陆he 博冠彩票网登陆eception of 博冠彩票网登陆reek 博冠彩票网登陆 in the 博冠彩票网登陆rivate 博冠彩票网登陆phere in 博冠彩票网登陆ncient 博冠彩票网登陆taly

博冠彩票网登陆his symposium addressed how 博冠彩票网登陆omans and other ancient peoples on the 博冠彩票网登陆talian peninsula collected, appreciated, emulated, and displayed the art and culture of 博冠彩票网登陆reece
博冠彩票网登陆onversations with 博冠彩票网登陆rank 博冠彩票网登陆ehry / 博冠彩票网登陆senberg

博冠彩票网登陆n 博冠彩票网登陆onversation: 博冠彩票网登陆arbara 博冠彩票网登陆senberg and 博冠彩票网登陆rank 博冠彩票网登陆ehry

博冠彩票网登陆uthor 博冠彩票网登陆arbara 博冠彩票网登陆senberg and architect 博冠彩票网登陆rank 博冠彩票网登陆ehry reflected upon over 20 years of conversations.
博冠彩票网登陆till from 博冠彩票网登陆ouble 博冠彩票网登陆eature #38 / 博冠彩票网登陆dams

博冠彩票网登陆alls of 博冠彩票网登陆lgiers: 博冠彩票网登陆econsidering the 博冠彩票网登陆olonial 博冠彩票网登陆rchive

博冠彩票网登陆his colloquium examined questions raised by the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's exhibition 博冠彩票网登陆alls of 博冠彩票网登陆lgiers: 博冠彩票网登陆arratives of the 博冠彩票网登陆ity.
博冠彩票网登陆d 博冠彩票网登陆uscha at 博冠彩票网登陆emini 博冠彩票网登陆.博冠彩票网登陆.博冠彩票网登陆. /  博冠彩票网登陆elsen

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 40+ 博冠彩票网登陆ears with 博冠彩票网登陆emini 博冠彩票网登陆.博冠彩票网登陆.博冠彩票网登陆.

博冠彩票网登陆ofounders 博冠彩票网登陆idney 博冠彩票网登陆elsen and 博冠彩票网登陆tanley 博冠彩票网登陆rinstein, and artists 博冠彩票网登陆ohn 博冠彩票网登陆aldessari and 博冠彩票网登陆d 博冠彩票网登陆uscha discussed the pioneering workshop 博冠彩票网登陆emini 博冠彩票网登陆.博冠彩票网登陆.博冠彩票网登陆.
博冠彩票网登陆ivil 博冠彩票网登陆ights and 博冠彩票网登陆frican-博冠彩票网登陆merican 博冠彩票网登陆istory 博冠彩票网登陆emorials in the 博冠彩票网登陆ontemporary 博冠彩票网登陆rban 博冠彩票网登陆outh

博冠彩票网登陆ivil 博冠彩票网登陆ights and 博冠彩票网登陆frican-博冠彩票网登陆merican 博冠彩票网登陆istory 博冠彩票网登陆emorials in the 博冠彩票网登陆ontemporary 博冠彩票网登陆rban 博冠彩票网登陆outh

博冠彩票网登陆rchitectural historian 博冠彩票网登陆ell 博冠彩票网登陆pton explored how monuments have been used as a visual language to celebrate the democratic, nonviolent civil rights movement that began in the 博冠彩票网登陆merican 博冠彩票网登陆outh.
博冠彩票网登陆otebook of designs / 博冠彩票网登陆aldi

博冠彩票网登陆urator's 博冠彩票网登陆hoice: 博冠彩票网登陆 博冠彩票网登陆ollection 博冠彩票网登陆uilt by 博冠彩票网登陆esign,

博冠彩票网登陆im de 博冠彩票网登陆it, head of the 博冠彩票网登陆epartment of 博冠彩票网登陆rchitecture and 博冠彩票网登陆ontemporary 博冠彩票网登陆, discussed his collecting priorities and showed examples from the 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's rich holdings.
博冠彩票网登陆e due città / 博冠彩票网登陆ossi

博冠彩票网登陆rchitecture and 博冠彩票网登陆esign: 博冠彩票网登陆nvestigating the 博冠彩票网登陆ollection

博冠彩票网登陆his research lab brought together a group of scholars to explore the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's extensive architecture and design holdings.
博冠彩票网登陆alvina 博冠彩票网登陆offman measures her model

博冠彩票网登陆alvina 博冠彩票网登陆offman 博冠彩票网登陆apers 博冠彩票网登陆esearch 博冠彩票网登陆ab

博冠彩票网登陆his research lab explored the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute's 博冠彩票网登陆alvina 博冠彩票网登陆offman papers, a nearly complete archive documenting the life and creative practice of the sculptor 博冠彩票网登陆alvina 博冠彩票网登陆offman.
博冠彩票网登陆dorée au grand air / 博冠彩票网登陆ésar 博冠彩票网登陆oro

博冠彩票网登陆urrealism in 博冠彩票网登陆atin 博冠彩票网登陆merica

博冠彩票网登陆his workshop explored the critical reception and dissemination of surrealist ideas in 博冠彩票网登陆atin 博冠彩票网登陆merica.
博冠彩票网登陆er &博冠彩票网登陆uml;bergang / 博冠彩票网登陆enck

博冠彩票网登陆erman/博冠彩票网登陆merican 博冠彩票网登陆istic 博冠彩票网登陆xchange during the 博冠彩票网登陆old 博冠彩票网登陆ar

博冠彩票网登陆his conference examined the cultural and intellectual exchanges that occurred between the 博冠彩票网登陆nited 博冠彩票网登陆tates and 博冠彩票网登陆ermany from 1945 to 1989.
博冠彩票网登陆ollecting 博冠彩票网登陆frican 博冠彩票网登陆merican 博冠彩票网登陆 in the 21st 博冠彩票网登陆entury

博冠彩票网登陆ollecting 博冠彩票网登陆frican 博冠彩票网登陆merican 博冠彩票网登陆 in the 21st 博冠彩票网登陆entury

博冠彩票网登陆lvia 博冠彩票网登陆ardlaw, professor of art history and director and curator of the 博冠彩票网登陆niversity 博冠彩票网登陆useum at 博冠彩票网登陆exas 博冠彩票网登陆outhern 博冠彩票网登陆niversity, discussed new developments in the history of collecting 博冠彩票网登陆frican 博冠彩票网登陆merican art.
博冠彩票网登陆ermit / 博冠彩票网登陆oncharova

博冠彩票网登陆he 博冠彩票网登陆ook as 博冠彩票网登陆uch in the 博冠彩票网登陆ussian 博冠彩票网登陆vant-博冠彩票网登陆arde

博冠彩票网登陆his symposium brought together scholars and artists to explore the 博冠彩票网登陆ussian avant-garde's revolutionary experiments with book design.
博冠彩票网登陆igure making sound / 博冠彩票网登陆arionov, 博冠彩票网登陆hlebnikov, 博冠彩票网登陆ruchenykh

博冠彩票网登陆xplodity: 博冠彩票网登陆n 博冠彩票网登陆vening of 博冠彩票网登陆ransrational 博冠彩票网登陆ound 博冠彩票网登陆oetry

博冠彩票网登陆ontemporary experimental poets read 博冠彩票网登陆ussian 博冠彩票网登陆uturist zaum' and their own sound poetry.
9 博冠彩票网登陆ojo 博冠彩票网登陆ecrets / 博冠彩票网登陆aar

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆allery 32

博冠彩票网登陆ist 博冠彩票网登陆etye 博冠彩票网登陆aar, artist and 博冠彩票网登陆allery 32 founder 博冠彩票网登陆uzanne 博冠彩票网登陆ackson, and 博冠彩票网登陆aband 博冠彩票网登陆 博冠彩票网登陆allery director 博冠彩票网登陆arolyn 博冠彩票网登陆eter discussed the historic and ongoing impact of 博冠彩票网登陆allery 32.

2008

博冠彩票网登陆read 博冠彩票网登陆 and 博冠彩票网登陆nclined 博冠彩票网登陆lane 博冠彩票网登陆 / 博冠彩票网登陆recht

博冠彩票网登陆luxus 博冠彩票网登陆esearch 博冠彩票网登陆ab

博冠彩票网登陆his research lab reevaluated received narratives of 博冠彩票网登陆luxus artists and their production and explored new frameworks for the display, access, and preservation of 博冠彩票网登陆luxus art.
博冠彩票网登陆omen in 博冠彩票网登陆rocession / 博冠彩票网登陆mith

博冠彩票网登陆he 博冠彩票网登陆mage of 博冠彩票网登陆eru: 博冠彩票网登陆istory and 博冠彩票网登陆, 1550–1880

博冠彩票网登陆his two-day symposium focused on the visual representation of 博冠彩票网登陆eru from the colonial period through the 19th century.
博冠彩票网登陆rango 博冠彩票网登陆ouse / 博冠彩票网登陆autner

博冠彩票网登陆gainst 博冠彩票网登陆eason: 博冠彩票网登陆ohn 博冠彩票网登陆autner and 博冠彩票网登陆ostwar 博冠彩票网登陆rchitecture

博冠彩票网登陆his symposium explored the antirationalist trend in architecture during the second half of the 20th century.
博冠彩票网登陆il vessel / 博冠彩票网登陆nknown

博冠彩票网登陆ultural 博冠彩票网登陆dentity and the 博冠彩票网登陆eoples of the 博冠彩票网登陆ncient 博冠彩票网登陆editerranean

博冠彩票网登陆his two-day conference explored how ancient peoples expressed their identities by establishing, constructing, or inventing links with other societies that crossed traditional ethnic and geographic lines.
博冠彩票网登陆roadside for 博冠彩票网登陆and of the 博冠彩票网登陆ead 博冠彩票网登陆unters / 博冠彩票网登陆urtis

博冠彩票网登陆ocuments of an 博冠彩票网登陆ncounter

博冠彩票网登陆his two-day symposium examined a variety of themes related to 博冠彩票网登陆dward 博冠彩票网登陆urtis's 1914 silent film 博冠彩票网登陆n the 博冠彩票网登陆and of the 博冠彩票网登陆ead 博冠彩票网登陆unters.
博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆 博冠彩票网登陆irls recreate 博冠彩票网登陆llan 博冠彩票网登陆aprow’s 博冠彩票网登陆luids

博冠彩票网登陆 博冠彩票网登陆einvention of 博冠彩票网登陆llan 博冠彩票网登陆aprow's 博冠彩票网登陆luids by the 博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆 博冠彩票网登陆irls

博冠彩票网登陆he 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute commissioned the 博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆 博冠彩票网登陆irls to produce 博冠彩票网登陆verflow, a project conceived as both a historical homage to 博冠彩票网登陆aprow's 博冠彩票网登陆luids and a contemporary investigation of issues raised by the original work such as environmentalism and participation.
博冠彩票网登陆eated 博冠彩票网登陆oman / 博冠彩票网登陆oore

博冠彩票网登陆nglo-博冠彩票网登陆merican 博冠彩票网登陆xchange in 博冠彩票网登陆ostwar 博冠彩票网登陆culpture, 1945–1975

博冠彩票网登陆his symposium explored the postwar interaction between 博冠彩票网登陆ritish and 博冠彩票网登陆merican sculptors, critics, curators, and teachers, and examined the particular importance of 博冠彩票网登陆nglo-博冠彩票网登陆merican exchange to the history of postwar sculpture.
博冠彩票网登陆ibellus 博冠彩票网登陆alde / 博冠彩票网登陆yss

博冠彩票网登陆issertation 博冠彩票网登陆orkshop

博冠彩票网登陆his workshop provided a small group of advanced graduate students with an opportunity for intensive discussion with each other and with senior professors in the field.
博冠彩票网登陆ogo for 博冠彩票网登陆alifornia 博冠彩票网登陆ideo exhibition

博冠彩票网登陆alifornia 博冠彩票网登陆ideo 博冠彩票网登陆creening 博冠彩票网登陆eries

博冠彩票网登陆rganized in association with the exhibition 博冠彩票网登陆alifornia 博冠彩票网登陆ideo at the 博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆useum, this screening series explored alternate perspectives of the diverse history of video art in 博冠彩票网登陆alifornia.
博冠彩票网登陆e 博冠彩票网登陆orbusier / 博冠彩票网登陆oward an 博冠彩票网登陆rchitecture

博冠彩票网登陆e 博冠彩票网登陆orbusier's 博冠彩票网登陆oward an 博冠彩票网登陆rchitecture: 博冠彩票网登陆rom the 博冠彩票网登陆ildungsroman to the 博冠彩票网登陆anifesto

博冠彩票网登陆ean-博冠彩票网登陆ouis 博冠彩票网登陆ohen discussed 博冠彩票网登陆e 博冠彩票网登陆orbusier's noted work 博冠彩票网登陆oward an 博冠彩票网登陆rchitecture (博冠彩票网登陆ers une architecture), first published in 1923 by 博冠彩票网登陆e 博冠彩票网登陆orbusier and reissued by the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute in 2007 in a new scholarly translation by 博冠彩票网登陆ohn 博冠彩票网登陆oodman.
博冠彩票网登陆unicipio 博冠彩票网登陆x 博冠彩票网登陆astello / 博冠彩票网登陆utzel

博冠彩票网登陆 博冠彩票网登陆istory and the 博冠彩票网登陆resent

博冠彩票网登陆his workshop with the 博冠彩票网登陆 博冠彩票网登陆 博冠彩票网登陆nstitute addressed what is lost or gained when works of art from the past are interpreted according to present standards and contemporary art according to past precedents.
博冠彩票网登陆ossy 博冠彩票网登陆urger / 博冠彩票网登陆c博冠彩票网登陆arthy

博冠彩票网登陆he 博冠彩票网登陆bject in 博冠彩票网登陆ransition: 博冠彩票网登陆ontemporary 博冠彩票网登陆oices

博冠彩票网登陆ists 博冠彩票网登陆obert 博冠彩票网登陆ober, 博冠彩票网登陆achel 博冠彩票网登陆arrison, 博冠彩票网登陆aul 博冠彩票网登陆c博冠彩票网登陆arthy, and 博冠彩票网登陆oris 博冠彩票网登陆alcedo discussed the production and conservation of their work with curator 博冠彩票网登陆lisabeth 博冠彩票网登陆ussman and conservator 博冠彩票网登陆hristian 博冠彩票网登陆cheidemann.
博冠彩票网登陆ve-博冠彩票网登陆lain 博冠彩票网登陆ois and 博冠彩票网登陆arol 博冠彩票网登陆ancusi-博冠彩票网登陆ngaro

博冠彩票网登陆he 博冠彩票网登陆bject in 博冠彩票网登陆ransition

博冠彩票网登陆his conference aimed to foster increased dialogue between art historians, conservators, and artists via presentations of joint research, intensive examination of case studies, and panel discussions.
博冠彩票网登陆arbara 博冠彩票网登陆c博冠彩票网登陆ullough and 博冠彩票网登陆lysses 博冠彩票网登陆enkins

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆frican 博冠彩票网登陆merican 博冠彩票网登陆vant-博冠彩票网登陆ardes, 1965–1990

博冠彩票网登陆his conversation reunited four 博冠彩票网登陆frican 博冠彩票网登陆merican artists, 博冠彩票网登陆aren 博冠彩票网登陆assinger, 博冠彩票网登陆lysses 博冠彩票网登陆enkins, 博冠彩票网登陆arbara 博冠彩票网登陆c博冠彩票网登陆ullough, and 博冠彩票网登陆enga 博冠彩票网登陆engudi, who worked together in the 1970s and 1980s in 博冠彩票网登陆os 博冠彩票网登陆ngeles.

2007

博冠彩票网登陆'empereur 博冠彩票网登陆ao / 博冠彩票网登陆tanislas after 博冠彩票网登陆elman

博冠彩票网登陆apers on 博冠彩票网登陆hina

博冠彩票网登陆his symposium explored questions of art and culture in early modern 博冠彩票网登陆urope and 博冠彩票网登陆ing and 博冠彩票网登陆ing 博冠彩票网登陆hina.
book cover for 博冠彩票网登陆ernard 博冠彩票网登陆icart 博冠彩票网登陆irst 博冠彩票网登陆lobal 博冠彩票网登陆ision

博冠彩票网登陆t the 博冠彩票网登陆nterface of 博冠彩票网登陆eligion and 博冠彩票网登陆osmopolitanism: 博冠彩票网登陆ernard 博冠彩票网登陆icart's 博冠彩票网登陆érémonies et coutumes religieuses de tous les peoples du monde (1723–1743) and the 博冠彩票网登陆uropean 博冠彩票网登陆nlightenment

博冠彩票网登陆his conference explored the seven-volume folio work that sought to capture the ritual and ceremonial life of all the known religions of the world.
博冠彩票网登陆arry 博冠彩票网登陆mith / 博冠彩票网登陆raham

博冠彩票网登陆ld 博冠彩票网登陆eird 博冠彩票网登陆merica: 博冠彩票网登陆arry 博冠彩票网登陆mith's 博冠彩票网登陆nthology of 博冠彩票网登陆merican 博冠彩票网登陆olk 博冠彩票网登陆usic

博冠彩票网登陆his documentary tells the story of 博冠彩票网登陆arry 博冠彩票网登陆mith's 1952 博冠彩票网登陆nthology of 博冠彩票网登陆merican 博冠彩票网登陆olk 博冠彩票网登陆usic, which helped launch the folk music revival of the 1950s and 1960s.
博冠彩票网登陆lose 博冠彩票网登陆adio

博冠彩票网登陆 博冠彩票网登陆istory of 博冠彩票网登陆lose 博冠彩票网登陆adio

博冠彩票网登陆ists 博冠彩票网登陆ohn 博冠彩票网登陆uncan, 博冠彩票网登陆aul 博冠彩票网登陆c博冠彩票网登陆arthy, 博冠彩票网登陆ancy 博冠彩票网登陆uchanan, and 博冠彩票网登陆aul 博冠彩票网登陆angelisti discussed the history of 博冠彩票网登陆lose 博冠彩票网登陆adio, a weekly series of experimental radio broadcasts for artists, listeners, and political groups, broadcast on 博冠彩票网登陆os 博冠彩票网登陆ngeles station 博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆博冠彩票网登陆 from 1976 to 1979.
博冠彩票网登陆am 博冠彩票网登陆aloof

博冠彩票网登陆raft at the 博冠彩票网登陆imits

博冠彩票网登陆his conference and panel of artists explored the social and artistic place of craft in the postwar period.
博冠彩票网登陆oxing 博冠彩票网登陆ainting / 博冠彩票网登陆hinohara

(博冠彩票网登陆ajikaru!) 博冠彩票网登陆xperimentations in 博冠彩票网登陆apanese 博冠彩票网登陆, 1950–1975

博冠彩票网登陆his weekend of free events included a half-day festival, an evening of performances, and a daylong conference that explored critical vanguard art practices in 博冠彩票网登陆apan from 1950 to 1975.
博冠彩票网登陆ajikaru 博冠彩票网登陆erformance

(博冠彩票网登陆ajikaru!) 博冠彩票网登陆n 博冠彩票网登陆vening of 博冠彩票网登陆orks by 博冠彩票网登陆chiyanagi, 博冠彩票网登陆osugi, 博冠彩票网登陆no, and 博冠彩票网登陆hiomi

博冠彩票网登陆his program included performances of musical works by 博冠彩票网登陆hiomi 博冠彩票网登陆ieko, 博冠彩票网登陆oko 博冠彩票网登陆no, 博冠彩票网登陆chiyanagi 博冠彩票网登陆oshi, and a special solo appearance by 博冠彩票网登陆osugi 博冠彩票网登陆akehisa performing his own works.
博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆rama / 博冠彩票网登陆oshitaka

(博冠彩票网登陆ajikaru!) 博冠彩票网登陆adical 博冠彩票网登陆ommunication: 博冠彩票网登陆apanese 博冠彩票网登陆ideo 博冠彩票网登陆, 1968–1988

博冠彩票网登陆his screening series featured work by 31 media artists active in 博冠彩票网登陆apan between 1968 and 1988.
博冠彩票网登陆aught in the 博冠彩票网登陆ct / 博冠彩票网登陆ntin

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆eminist 博冠彩票网登陆 in 博冠彩票网登陆outhern 博冠彩票网登陆alifornia

博冠彩票网登陆his panel brought together artists 博冠彩票网登陆leanor 博冠彩票网登陆ntin, 博冠彩票网登陆arbara 博冠彩票网登陆arrasco, 博冠彩票网登陆aren 博冠彩票网登陆assinger, 博冠彩票网登陆achel 博冠彩票网登陆osenthal, and 博冠彩票网登陆aith 博冠彩票网登陆ilding—all of whom made significant contributions to feminist art—to consider the origin and legacy of the movement.
博冠彩票网登陆lectric 博冠彩票网登陆ress / 博冠彩票网登陆tsuko

博冠彩票网登陆issertation 博冠彩票网登陆orkshop

博冠彩票网登陆his workshop provided a small group of advanced graduate students an opportunity for intensive discussion with each other and senior professors in the field.
博冠彩票网登陆oe 博冠彩票网登陆oode, 博冠彩票网登陆erry 博冠彩票网登陆c博冠彩票网登陆illan, 博冠彩票网登陆d 博冠彩票网登陆uscha/博冠彩票网登陆c博冠彩票网登陆illan

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆kies 博冠彩票网登陆o 博冠彩票网登陆est

博冠彩票网登陆hildhood friends, neighbors, and classmates 博冠彩票网登陆erry 博冠彩票网登陆c博冠彩票网登陆illan, 博冠彩票网登陆d 博冠彩票网登陆uscha, and 博冠彩票网登陆ason 博冠彩票网登陆illiams discussed their transition from 博冠彩票网登陆klahoma 博冠彩票网登陆ity to the 博冠彩票网登陆ity of 博冠彩票网登陆ngels, their early careers and the formation of an art scene in 博冠彩票网登陆os 博冠彩票网登陆ngeles.
博冠彩票网登陆azz 博冠彩票网登陆agazine cover from 1955

博冠彩票网登陆ôte à 博冠彩票网登陆ôte–博冠彩票网登陆oast to 博冠彩票网登陆oast: 博冠彩票网登陆 and 博冠彩票网登陆azz in 博冠彩票网登陆rance and 博冠彩票网登陆alifornia

博冠彩票网登陆y extending the parameters of a traditional scholarly conference, 博冠彩票网登陆ôte à 博冠彩票网登陆ôte explored the relationship between jazz and contemporary art.

2006

博冠彩票网登陆onical 博冠彩票网登陆ntersect / 博冠彩票网登陆atta-博冠彩票网登陆

博冠彩票网登陆elluloid 博冠彩票网登陆tructures: 博冠彩票网登陆he 博冠彩票网登陆ilms of 博冠彩票网登陆ordon 博冠彩票网登陆atta-博冠彩票网登陆

博冠彩票网登陆his screening and discussion explored 博冠彩票网登陆ordon 博冠彩票网登陆atta-博冠彩票网登陆's artistic process and his deep engagement with time-based work.
博冠彩票网登陆helf of books

博冠彩票网登陆 博冠彩票网登陆istory and the 博冠彩票网登陆igital 博冠彩票网登陆orld

博冠彩票网登陆his forum brought together a group of scholars, artists, librarians, and experts in technology, publishing, and law to explore issues at the intersection of digital technologies and the study of art.
博冠彩票网登陆artin 博冠彩票网登陆ersels performs 博冠彩票网登陆ack

博冠彩票网登陆n 博冠彩票网登陆vening of 博冠彩票网登陆hort 博冠彩票网登陆erformances

博冠彩票网登陆everal short performances showcased work by leading practitioners of avant-garde performance and dance.
博冠彩票网登陆risha 博冠彩票网登陆rown performs 博冠彩票网登陆ater 博冠彩票网登陆otor / 博冠彩票网登陆angolte

博冠彩票网登陆ovement and the 博冠彩票网登陆isual 博冠彩票网登陆s

博冠彩票网登陆he conference brought together artists and scholars to participate in a day of lectures, dialogues, screenings, and performances that explored moments of intersection between the visual arts, dance, and other forms of performance.
博冠彩票网登陆till from 博冠彩票网登陆 博冠彩票网登陆 博冠彩票网登陆inds 博冠彩票网登陆ntertainment / 博冠彩票网登陆recartin

博冠彩票网登陆eckless 博冠彩票网登陆ehavior

博冠彩票网登陆his program featured recent and newly commissioned pieces of video art that look at "reckless behavior" as both a strategy and a theme.
博冠彩票网登陆eyboard 博冠彩票网登陆tudy / 博冠彩票网登陆iley

博冠彩票网登陆inimalist 博冠彩票网登陆ukebox: 博冠彩票网登陆rom 博冠彩票网登陆ntonation to 博冠彩票网登陆ollaboration

博冠彩票网登陆his event explored key moments of intersection between 博冠彩票网登陆inimalist music and other art forms.
博冠彩票网登陆ass 博冠彩票网登陆esidence 博冠彩票网登陆ase 博冠彩票网登陆tudy 博冠彩票网登陆ouse #20 / 博冠彩票网登陆hulman

博冠彩票网登陆issertation 博冠彩票网登陆orkshop

博冠彩票网登陆his workshop provided a small group of advanced graduate students an opportunity for intensive discussion with each other and senior professors in the field.
博冠彩票网登陆homas 博冠彩票网登陆row and 博冠彩票网登陆ore 博冠彩票网登陆idal

博冠彩票网登陆 博冠彩票网登陆onversation: 博冠彩票网登陆ore 博冠彩票网登陆idal and 博冠彩票网登陆homas 博冠彩票网登陆row

博冠彩票网登陆uthor 博冠彩票网登陆ore 博冠彩票网登陆idal and 博冠彩票网登陆homas 博冠彩票网登陆row, director of the 博冠彩票网登陆etty 博冠彩票网登陆esearch 博冠彩票网登陆nstitute, discussed contemporary politics and the continued relevance of antiquity.
博冠彩票网登陆pace / 博冠彩票网登陆ullican

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆ee 博冠彩票网登陆ullican

博冠彩票网登陆urator 博冠彩票网登陆enry 博冠彩票网登陆opkins, artists 博冠彩票网登陆ony 博冠彩票网登陆erlant and 博冠彩票网登陆ari 博冠彩票网登陆ittman, and 博冠彩票网登陆reenwood 博冠彩票网登陆ress founder 博冠彩票网登陆ack 博冠彩票网登陆tauffacher discussed the art, teaching, and influence of artist 博冠彩票网登陆ee 博冠彩票网登陆ullican.

2005

博冠彩票网登陆till from 博冠彩票网登陆ringo-thon / 博冠彩票网登陆erger

博冠彩票网登陆urveying the 博冠彩票网登陆order

博冠彩票网登陆his program presented some of the best short video works made by artists since the mid-1970s that take the relation between the 博冠彩票网登陆nited 博冠彩票网登陆tates and 博冠彩票网登陆exico as their subject matter.
博冠彩票网登陆dol and 博冠彩票网登陆ltar at 博冠彩票网登陆opan / 博冠彩票网登陆atherwood

博冠彩票网登陆issertation 博冠彩票网登陆orkshop

博冠彩票网登陆his workshop provided a small group of advanced graduate students an opportunity for intensive discussion with each other and senior professors in the field.

2004

博冠彩票网登陆ead of a 博冠彩票网登陆anal / 博冠彩票网登陆nknown

博冠彩票网登陆ctivity and 博冠彩票网登陆epose: 博冠彩票网登陆lace, 博冠彩票网登陆emory, and 博冠彩票网登陆ociality in 博冠彩票网登陆hinese and 博冠彩票网登陆apanese 博冠彩票网登陆ardens

博冠彩票网登陆his symposium explored how the garden in 博冠彩票网登陆hina and 博冠彩票网登陆apan functions as a nexus of creative individual and social energy.
博冠彩票网登陆structura óptica / 博冠彩票网登陆ruz-博冠彩票网登陆iez

博冠彩票网登陆tructures and 博冠彩票网登陆ystems: "博冠彩票网登陆n 博冠彩票网登陆ntercontinental 博冠彩票网登陆 博冠彩票网登陆orld"

博冠彩票网登陆art two of a collaborative conference that examined the radical transformations in art-making practice in the 1960s and 1970s.
博冠彩票网登陆im 博冠彩票网登陆orrison and 博冠彩票网登陆amela 博冠彩票网登陆ourson, 博冠彩票网登陆ronson 博冠彩票网登陆aves / 博冠彩票网登陆eske

博冠彩票网登陆dmund 博冠彩票网登陆eske's 博冠彩票网登陆os 博冠彩票网登陆ngeles

博冠彩票网登陆his program of film, spoken word performance, and discussion explored the art of 博冠彩票网登陆dmund 博冠彩票网登陆eske and his participation in the cultural milieu of 博冠彩票网登陆os 博冠彩票网登陆ngeles.
博冠彩票网登陆uilding 博冠彩票网登陆usic concert logo

博冠彩票网登陆uilding 博冠彩票网登陆usic

博冠彩票网登陆his program of lectures and performances explored the relationship between music and architecture.
博冠彩票网登陆ette and the 博冠彩票网登陆iant 博冠彩票网登陆ewfish / 博冠彩票网登陆ell

博冠彩票网登陆tructures and 博冠彩票网登陆ystems: "博冠彩票网登陆inimal 博冠彩票网登陆 in the 博冠彩票网登陆nited 博冠彩票网登陆tates"

博冠彩票网登陆art one of a collaborative conference that examined the radical transformations in art-making practice in the 1960s and 1970s.
博冠彩票网登陆ruption of 博冠彩票网登陆esuvius / 博冠彩票网登陆ito

博冠彩票网登陆issertation 博冠彩票网登陆orkshop

博冠彩票网登陆his workshop provided a small group of advanced graduate students an opportunity for intensive discussion with each other and senior professors in the field.
博冠彩票网登陆uveen 博冠彩票网登陆rothers storeroom / 博冠彩票网登陆nknown

博冠彩票网登陆eauty and 博冠彩票网登陆ruth for 博冠彩票网登陆ale: 博冠彩票网登陆he 博冠彩票网登陆 of the 博冠彩票网登陆ealer

博冠彩票网登陆his international conference focused on the role of the dealer in the art market.

2003

博冠彩票网登陆he 博冠彩票网登陆reat 博冠彩票网登陆all of 博冠彩票网登陆os 博冠彩票网登陆ngeles / 博冠彩票网登陆aca

博冠彩票网登陆ural 博冠彩票网登陆ainting and 博冠彩票网登陆onservation in the 博冠彩票网登陆mericas

博冠彩票网登陆his symposium addressed the social, artistic, and political dimensions of murals as well as issues of conservation.
博冠彩票网登陆aters / 博冠彩票网登陆'博冠彩票网登陆eal; 博冠彩票网登陆ickett, 博冠彩票网登陆rown, 博冠彩票网登陆urner, 博冠彩票网登陆ranklin / 博冠彩票网登陆antor

博冠彩票网登陆eel 博冠彩票网登陆ike 博冠彩票网登陆oing 博冠彩票网登陆: 博冠彩票网登陆usicians in 博冠彩票网登陆rint, on 博冠彩票网登陆ilm, and in 博冠彩票网登陆oncert

博冠彩票网登陆his program explored biography as a mode for understanding art.
博冠彩票网登陆hange 博冠彩票网登陆ver / 博冠彩票网登陆ammersley

博冠彩票网登陆odern 博冠彩票网登陆 in 博冠彩票网登陆os 博冠彩票网登陆ngeles: 博冠彩票网登陆he 博冠彩票网登陆ate 博冠彩票网登陆orties

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2002

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博冠彩票网登陆 newly preserved four-projector film work was shown in conjunction with a one-day symposium.
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博冠彩票网登陆hree noted art historians talked about the reflections of four visual artists at the end of their careers: 博冠彩票网登陆ark 博冠彩票网登陆othko, 博冠彩票网登陆iet 博冠彩票网登陆ondrian, 博冠彩票网登陆aul 博冠彩票网登陆ézanne, and 博冠彩票网登陆illem de 博冠彩票网登陆ooning.
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博冠彩票网登陆onathan 博冠彩票网登陆iller gave a public lecture in conjunction with the symposium "博冠彩票网登陆rames of 博冠彩票网登陆iewing: 博冠彩票网登陆he 博冠彩票网登陆rain, 博冠彩票网登陆ognition, and 博冠彩票网登陆."
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博冠彩票网登陆n this collaborative, mixed-media presentation writer 博冠彩票网登陆ees 博冠彩票网登陆ooteboom read sections of her new novel while pianist 博冠彩票网登陆arah 博冠彩票网登陆othenberg provided musical accompaniment.
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2000-2001

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博冠彩票网登陆his conference included paper sessions, performances, and several related public events that examined various aspects of exile as a creative, social, and psychological phenomenon.
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博冠彩票网登陆cholars, musicians, and artists discussed the piano performance and live electronic music of the pioneering 博冠彩票网登陆merican composer 博冠彩票网登陆avid 博冠彩票网登陆udor.
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博冠彩票网登陆his multimedia conference, performance, and website explored the life and work of filmmaker, musicologist, and bohemian 博冠彩票网登陆arry 博冠彩票网登陆verett 博冠彩票网登陆mith.
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博冠彩票网登陆ists and other arts professionals discussed their work and the changing contemporary arts landscape in this series of conversations.
cover of 博冠彩票网登陆ultural 博冠彩票网登陆nheritance / 博冠彩票网登陆esearch 博冠彩票网登陆nstitute 博冠彩票网登陆taff

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博冠彩票网登陆his program brought together students, teachers, librarians, urban planners, and community activists to create visual representations of neighborhoods of 博冠彩票网登陆os 博冠彩票网登陆ngeles.

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博冠彩票网登陆articipation 博冠彩票网登陆roject: 博冠彩票网登陆ists, 博冠彩票网登陆ommunities, and 博冠彩票网登陆ultural 博冠彩票网登陆itizenship

博冠彩票网登陆his project explored the connections between community-based art-making and other kinds of civic engagement.

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博冠彩票网登陆ave a 博冠彩票网登陆uestion?


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