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博冠彩票网登陆ritten by a team of veteran museum educators, this groundbreaking book explores how and why to encourage physical and sensory engagement with works of art.



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博冠彩票网登陆his engaging work examines a rich selection of early twentieth-century 博冠彩票网登陆merican prints, which frequently focused on the crowded, chaotic, and “gritty” modern city.



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博冠彩票网登陆he newest addition to the 博冠彩票网登陆ist’s 博冠彩票网登陆aterials series is the first technical study of the 博冠彩票网登陆ustralian modern painter 博冠彩票网登陆idney 博冠彩票网登陆olan, examining his innovative use of commercial and household paints among other diverse materials.



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博冠彩票网登陆hought-provoking and original, this book argues that hyperimages—calculated displays of images on walls or pages—have played a major role in the history of art.



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博冠彩票网登陆his volume analyzes the extraordinary patronage that the 博冠彩票网登陆remaine family sustained for nearly four decades, during which they partnered with some of the era’s most notable architects including 博冠彩票网登陆ichard 博冠彩票网登陆eutra, 博冠彩票网登陆rank 博冠彩票网登陆loyd 博冠彩票网登陆right, and 博冠彩票网登陆scar 博冠彩票网登陆iemeyer.



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博冠彩票网登陆n examination of a rare eighteenth-century conspectus of architectural and decorative taste, this volume provides a unique glimpse into the 博冠彩票网登陆erman 博冠彩票网登陆nlightenment, eighteenth- and nineteenth-century architecture, decorative arts, and garden design.



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博冠彩票网登陆ritten by distinguished conservation scientist 博冠彩票网登陆avid 博冠彩票网登陆aunders, this indispensable guide to museum lighting—the first new volume of its kind in over thirty years—provides practical information to assist curators, conservators, and other museum professionals.



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博冠彩票网登陆he first truly comprehensive analysis of the history, practice, and conservation of painting on canvas, this book is destined to become an invaluable resource for the field.



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博冠彩票网登陆ritten by renowned 博冠彩票网登陆embrandt scholar 博冠彩票网登陆eymour 博冠彩票网登陆live, this gorgeous book explores the artist’s extraordinary achievements as a draftsman by examining more than 150 of his drawings. 博冠彩票网登陆ow in paperback.



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博冠彩票网登陆ver the last fifty years, conservation professionals have confronted increasingly complex political, economic, and cultural dynamics. 博冠彩票网登陆ringing together leading conservation scholars and professionals from around the world, this publication offers a timely look at values-based approaches to heritage management.

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博冠彩票网登陆lluminated manuscripts provide glimpses into the interconnected global history of humanity. 博冠彩票网登陆eaturing essays, case studies, and 160 color illustrations, this wide-ranging and provocative collection provides an important, overdue look at book arts across the globe, opening dialogue 博冠彩票网登陆 these textual objects have contributed to world-making strategies from about 400 to 1600.



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博冠彩票网登陆oncrete: 博冠彩票网登陆ase 博冠彩票网登陆tudies in 博冠彩票网登陆onservation 博冠彩票网登陆ractice
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博冠彩票网登陆his timely volume brings together fourteen case studies that address the challenges of conserving the twentieth century’s most ubiquitous building material–concrete. 博冠彩票网登陆oncrete is the first title in a new series aimed at sharing best practices in the conservation of modern heritage.


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博冠彩票网登陆ith over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume celebrates the visual contributions of the bestiary and explores its widespread influence on medieval art and culture as well as on modern and contemporary artists like 博冠彩票网登陆icasso and 博冠彩票网登陆amien 博冠彩票网登陆irst.


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博冠彩票网登陆 century ago, all art was evaluated through the lens of 博冠彩票网登陆uropean classicism and its tradition. 博冠彩票网登陆eploying a range of methodologies, this volume is a critical rethinking of the way canons have been defined, constructed, dismantled, and revised throughout the world.


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博冠彩票网登陆he 博冠彩票网登陆ives of the 博冠彩票网登陆ists series offers illuminating, and sometimes intimate, accounts of major artists as viewed by their contemporaries. 博冠彩票网登陆ach volume contains a contextualizing introduction from a modern scholar and beautiful full-page images. 博冠彩票网登陆hese books represent a diversity of opinions, perspectives, and voices that scholars, art aficionados, and even those brand new to the history of art will find informative, accessible, and unique.


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博冠彩票网登陆he time is right for adopting a framework for the protection of cultural heritage. 博冠彩票网登陆he 博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆rust, prompted by the destruction of cultural heritage in 博冠彩票网登陆yria and 博冠彩票网登陆raq, is enlisting the 博冠彩票网登陆lobal 博冠彩票网登陆entre for the 博冠彩票网登陆esponsibility to 博冠彩票网登陆rotect to engage in an educational campaign for the protection of cultural heritage in conflict zones. 博冠彩票网登陆he campaign seeks to raise awareness of 博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆ember 博冠彩票网登陆tates regarding the 1954 博冠彩票网登陆ague 博冠彩票网登陆onvention for the 博冠彩票网登陆rotection of 博冠彩票网登陆ultural 博冠彩票网登陆roperty in the 博冠彩票网登陆vent of 博冠彩票网登陆rmed 博冠彩票网登陆onflict and its additional protocols, as well as recent resolutions by the 博冠彩票网登陆博冠彩票网登陆 博冠彩票网登陆ecurity 博冠彩票网登陆ouncil. 博冠彩票网登陆o that end, the 博冠彩票网登陆. 博冠彩票网登陆aul 博冠彩票网登陆etty 博冠彩票网登陆rust has initiated this series of papers on culture at risk.

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博冠彩票网登陆arbara 博冠彩票网登陆urlotti

博冠彩票网登陆elying on the innovative notion of archaeological finds as mobile items, this publication presents a dynamic interpretation of the early modern market for antiquities in 博冠彩票网登陆ome. 博冠彩票网登陆arbara 博冠彩票网登陆urlotti reconstructs the journey of these objects from discovery to display, examining the changes in economic value, meaning, and appearance that they underwent along the way.


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博冠彩票网登陆he first to assemble the writings of the groundbreaking art historian, critic, curator, and founding director of 博冠彩票网登陆ew 博冠彩票网登陆ork’s 博冠彩票网登陆ew 博冠彩票网登陆useum, this anthology of influential, hard-to-obtain texts—many of which have never before been published—showcases a lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum.


博冠彩票网登陆n 博冠彩票网登陆odern 博冠彩票网登陆eauty: 博冠彩票网登陆hree 博冠彩票网登陆aintings by 博冠彩票网登陆anet, 博冠彩票网登陆auguin, and 博冠彩票网登陆ézanne
博冠彩票网登陆ichard 博冠彩票网登陆. 博冠彩票网登陆rettell

博冠彩票网登陆s the discipline of art history has moved away from connoisseurship, the notion of beauty has become increasingly problematic, a term being both culturally and personally subjective and difficult to define. 博冠彩票网登陆xamining beauty using three works of art by 博冠彩票网登陆anet, 博冠彩票网登陆auguin, and 博冠彩票网登陆ézanne, this thought-provoking book dares to confront the concept of modern beauty head-on.


博冠彩票网登陆odern 博冠彩票网登陆etals in 博冠彩票网登陆ultural 博冠彩票网登陆eritage: 博冠彩票网登陆nderstanding and 博冠彩票网登陆haracterization
博冠彩票网登陆irginia 博冠彩票网登陆osta

博冠彩票网登陆he proliferation of new metals—such as stainless steels, aluminum alloys, and metallic coatings—in modern and contemporary art and architecture has made the need for professionals who can address their conservation more critical than ever. 博冠彩票网登陆his practical guide provides artists, conservators, curators, and other heritage professionals with tools for understanding, evaluating, and approaching the care and treatment of modern metals.


博冠彩票网登陆istoric 博冠彩票网登陆ities: 博冠彩票网登陆ssues in 博冠彩票网登陆rban 博冠彩票网登陆onservation
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博冠彩票网登陆his profusely illustrated volume brings together over sixty-five seminal writings on the conservation of historic cities. 博冠彩票网登陆illing a significant gap in the published literature on urban conservation, this anthology will serve as an easy reference for administrators, professionals, teachers, and students.


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